The Death of Stalin, 2017 - ★★

It's a comedy, but I have to say, I find very little humour in it. Especially not the first half.

Certainly there's farce: moving Stalin's body around, all that. But the terror, the killings, the torture, the rape: none of it shown, exactly, but all right there in front of you. It's mostly just too fucking serious for me to laugh at it.

Murder on the Orient Express, 1974 - ★★

We've been watching the old Poirot TV series, inspired by me getting the book this film is based on last Christmas. More on the series later, perhaps, but it drops in quality in later seasons, when the production company changes.

And in season 12 it does Murder on the Orient Express and it frankly does quite a bad job of it. Not least in the suddenly-Catholic Poirot's struggle with his conscience.

Having him struggling with his conscience over his decision at the end isn't automatically a bad thing. But in the context of the series, it's just not the same character as earlier.

However, we're talking about the 1974 Sidney Lumet film version here. It's no more than OK. If you didn't know the story maybe it would be better, but I'm not sure. It's quite a stellar cast, and most of the individual parts are played well, but in the end it all just comes out as not very good.

Maybe the source material is to blame. Or more likely, the setting. It's like a bottle episode, in that it almost entirely takes place on the train. That maybe doesn't lend itself well to good cinema.

Wicked Little Letters, 2023 - ★★★

Billed as s comedy, and based on a true story. It's good, but unfortunately all the funniest moments are in the trailer. So don't watch that if you want the best comedy experience.

It's more drama than comedy, anyway. It's the 1920s in Littlehampton on the the south coast of England, and a woman in her 30s who lives with her parents starts receiving expletive-filled, ranting letters. The whole community is shocked, and who're you going to blame? Obviously the Irish woman who lives next door.

Worth a look.

To the Polls!

And don’t forget your photo ID.

It feels like 97, but I have a niggling fear that we’ve been played and it could still go all 92 on us. Articles like this one: Tories concede defeat with 24 hours until general election polls open, from The Independent yesterday, feel like tactics, more than news.

The intent being, of course, to reduce the anti-Tory turnout (and the overall turnout).

So go and vote. Please. Don’t let these fuckers do any more harm to our country.

One More Week to Hang On

I seem to have largely stopped blogging. Certainly, as a general election approaches, I’ve written nothing publicly about politics.

Consider: in just over a week we could be rid of this appalling Tory government. The Labour one we get in its place (or, just possibly, a coalition) will probably not be much to write home about, but even if its policies are far from perfect, its plans to tax the rich and invest in the country’s infrastructure far weaker than I’d like: things can hardly be worse.

Indeed, they can only get better, right?

I saw Keir Starmer speak at the Fabian Society a few years back. 2020, surprisingly, but January, before the pandemic really got going. He came across there as a thoroughly good and decent, left-wing, progressive guy. I can’t remember anything he said specifically, but it was positive, you know?

Now, he’s generally seen as timid, scared of appearing to be too left-wing, that sort of thing, or worse. While at the same time seemingly fierce at purging the left of the party. And poor on women’s rights, to say nothing of his dealings with women MPs and candidates.

Still, after the shitshow of the last few years, I’ll accept competence, as long as it’s not right-wing competence.

The Man with Two Brains, 1983 - ★★★

I like Steve Martin movies a lot. Or I did like them back when I watched them years ago. It's been a while.

This doesn't stand up as well as I might have hoped, and there are some downright shocking moments, with one casual use of several racial slurs.

But it still has its moments, still has the pointy bird and the scum queen, so I'll give it that.

Roald Dahl’s Matilda the Musical, 2022 - ★★★★

We've seen the stage version, seen the older film, read the book to the kids, and this is probably the maddest of the lot.

Tim Minchin's songs are excellent, of course, and the young lead, Alisha Weir, carries the whole thing so well. And Emma Thompson has come such a long way from Suzi Kettles. whom I still always think of her as.


Wonderful.

Spotlight, 2015 - ★★★★

We saw this maybe back when it came out, or not long after. It's really good, stands up incredibly well. The story of how an investigative team at the Boston Globe, the titular Spotlight, broke the story of the vast web of child abuse by Catholic priests, and the long-standing coverup by the church hierarchy.

Beverly Hills Cop, 1984 - ★★★

Stands up well after all these years. I saw it in the cinema when it first came out. Eddie Murphy is great as the titular cop, Axel Foley.

It's number 18 on this list of fifty best comedy films we've been using lately. I don't think it deserves to be quite that high, but it certainly deserves to be on it.

Perfect Days, 2023 - ★★★★½

Wim Wenders's strangely compelling, meditative piece about a man who cleans public toilets in Tokyo. Sounds like it shouldn't be anything, but is the best thing I've seen all year so far.

Good use of music, with our hero listening to the Velvet Underground, Patti Smith, and others, as Hirayama plays cassettes in his car.

It's far deeper and more complex than all this would suggest.