Category: Longform
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Nomadland, 2020 - ★★★½
The scenery is bleak, and the setup is sad, but in the end this movie is neither. Frances McDormand's character may have lost her home, job, and even town — she comes from a company town called Empire, which is closed down when the business fails — but she finds companionship along the road.
Sometimes that companionship is herself: she is someone who is happy in their own company, and that's okay. She lives in her van. She's not homeless, 'just houseless,' as she says.
I spent parts of this film wondering if something terrible was going to happen, but it's not that kind of story at all. The worst thing happened before the start, and all the rest is — just life. There's no plot to speak of, but that's okay too.
And though the scenery is bleak, it's also beautiful.
Don't Look Up, 2021 - ★★★½
Fun, if bleak, satire about the end of the world. Two astronomers try to get people — though mainly a Trump-esque US administration — to believe that a civilisation-ending comet is on course for Earth. With predictable results.
Beyond the Hallowed Sky by Ken MacLeod (Books 2021, 28)
Ken posted about this on his blog, along with a link to the first chapter on the publisher’s site. I read the chapter and instantly ordered the book from my local bookshop. Finished it on New Year’s Day, so it counts as 2021.
He describes it as ‘the first volume of the Lightspeed Trilogy’, and adds that ‘the second volume is well underway.’ Which is fine, but I usually make it a rule not to start unfinished serieses. So not so much a rule as a preference, let’s say.
This particular book ends in a way that is satisfactorily complete, but open enough for the followups to go in all sorts of directions. Plenty of unanswered questions, but none so burning that the wait should be annoying.
It’s set in 2070, after that initial chapter which is three years earlier. Humanity is about to develop lightspeed travel. Or it already has. What intelligences will be waiting out there? Some people think the answer is ‘none’, because of the Fermi Paradox.
The political situation is interesting. The countries of the world have largely coalesced into three blocks: the Alliance, which is the Anglosphere minus Scotland and Ireland, but including India; the Union, which is most of Europe including Scotland and Ireland; and the Coordinated States, which is Russia and China. We don’t hear anything about Africa or the Middle East. There has been (or is ongoing) an event called the Cold Revolution.
Also artificial intelligences are commonplace, including androids that are essentially indistinguishable from humans.
And if you need to build a starship, obviously you’re going to add the FTL drive to a submarine. And where do you build such ships? On the Clyde, of course. A lot of this is set in places from my childhood, which is fun for me.
Lost at Christmas, 2020 - ★★★
That strangest of things, a Scottish Christmas film. A very low budget, fun enough, story about two people meeting on Christmas Eve and getting stranded in a lonely inn in Glencoe.
Clare Grogan features in a very small part. Even though there is singing, she doesn't sing, which is a shame.
And for a seasonal Doctor Who connection, both Sylvester McCoy and Frazer Hines are also in it.
Starting the Year (and a Brief Look Back)
2022. That’s a lot of 2s. Though just wait till the 2nd of February.
Happy New Year to one and all. Who knows what 2022 will bring, but let’s hope it’s at least some relief from the difficulties of 2020 and 2021. But the coronavirus doesn’t care about calendars, and neither does viral evolution.
Anyway, I posted 143 times in 2021, which is broadly in line with recent years. Here’s the breakdown, because why not?
| Month | Posts |
|---|---|
| Jan | 22 |
| Feb | 12 |
| Mar | 17 |
| Apr | 14 |
| May | 10 |
| Jun | 11 |
| Jul | 12 |
| Aug | 6 |
| Sep | 14 |
| Oct | 6 |
| Nov | 8 |
| Dec | 11 |
2020’s stats, and 2019’s.
Mary Poppins Returns, 2018 - ★★★½
Fun sequel to a Disney classic. Good songs, and Lin-Manuel Miranda. Probably not as memorable as the original.
A Note I'd Like to Send Back Through Time
If you’re dealing with family photos back in the seventies, eighties, nineties, it’s great that you write the date and place on the back (thanks, Mum). That’s super useful. But could you please name the event and the people, too?
Yes, of course, you know what it was and who they were. But you’re not writing it for you. You’re writing it for your descendants, decades later, who want to know who these people were.
Why yes, I am scanning some old family photos, why do you ask?
Oh, and also: don’t waste film on scenery. The Scottish hills and moors are lovely, but I’m not interested in scanning old photos of them. Give me people, family, friends. Give me backgrounds, the wallpaper in the old house. Show me bookcases, wood-effect stereo systems. Old streets and shop signs.
And people, above all, people: that’s what casual photography should be for.
You know what no one took pictures of in the film days? Food. I’d actually love to see some old Sunday roasts or birthday cakes, but I don’t suppose they’d look that different from today’s.
Planetfall by Emma Newman (Books 2021, 27)
This is a novel about a human colony on an unnamed planet. There are, as we soon learn from the first-person narrator, Renata, lies and mysteries at the heart of the colony. Not least of those is how and why the humans came to live on this particular planet, in this particular place.
The place is at the foot of a mountain-like, biological, probably engineered structure they call the ‘City of God’. Twenty years ago — or more: the colony has existed for twenty years, but it’s not clear how long the journey through space took — a small group of humans managed to get there in a spaceship. They were led by ‘The Pathfinder’, a woman who, we discover through flashbacks, knew what planet to head for because of a revelation she had had after ingesting the seed of a mysterious plant.
The intrigue of the novel is about how that backstory and the rest is filled in, how the colony keeps going, and what happens in the ‘now’ of the story, when a mysterious human arrives.
How they designed and built a ship capable of getting there is not explained, and how far away from Earth it is is never stated. But I don’t think Newman really understands the scales applicable to astronomical distances. On several occasions characters refer to having travelled (or in flashback, being about to travel) ‘millions of miles’ to get to the new planet.
Our sun is 93 million miles from the Earth. If we’re talking about distances that are sensibly expressed in terms of millions of miles, then we’re talking about places inside our own solar system. And this is definitely not that.
Just to check, I asked Siri how far in miles it is to Alpha Centauri. It looked up Wolfram Alpha and told me, ‘About 25.8 trillion miles.’ That’s the closest star system to our own. It’s not wrong to call that ‘millions of miles’, but it’s not exactly accurate. A trillion, after all, is a million million. And that’s just the closest system.
It doesn’t affect the story, but it’s a weird thing for an SF writer to have missed, for no beta reader to have picked up, for an editor working at an SF publisher not to have caught.
Other than that, she does a great job of telling a first-person narrative from the point of view of someone who has some mental issues. All narrators are unreliable, and perhaps this one more so than usual. So we wonder how much we can rely on her telling of what happens, especially at the end.
There’s a religious background to this: the Pathfinder believed — and convinced those who came with her — that they would find God in the mysterious ‘city’. Did they? Maybe, maybe not.
It’s part of a four-book series, which apparently can be read in any order. The next one (in terms of when they were written) looks like it takes place back on Earth, so we may learn nothing more about what happened in the colony, which was cut off from home.