When Harry Met Sally..., 1989 - ★★★★

Somehow I’d gone this long without ever seeing this. I’m glad I put it right now. The dialogue is glorious! Nora Ephron may be my favourite screenwriter after Aaron Sorkin, where dialogue is concerned.

The ending flops a bit. In fact, I think I’d have enjoyed it more if they hadn’t got together, but hey, what can you do?

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Ayoade On Top by Richard Ayoade (Books 2020, 6)

This is Richard Ayoade’s detailed analysis of the 2003 film View From the Top, directed by Bruno Barreto and starring Gwyneth Paltrow. It is, by all accounts, a masterwork.

By Ayoade’s account, at least. I haven’t seen it. Ayoade is a comedian. The book is pretty funny. The film, I suspect, is quite bad.

Misbehaviour, 2020 - ★★★½

Good wee film about the women who protested at the 1970 Miss World show. Based on what actually happened. 

Surprising to learn that the phrase “Women’s Liberation” only originated then.

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Women on the Verge of a Nervous Breakdown, 1988 - ★★★

Well this is a lot funnier than the title would suggest. I think I had always thought it would be kind of bleak, but it’s not at all. There’s betrayal, attempted suicide, attempted murder, and a lot of property damage; but it’s very lighthearted.

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Sunset Boulevard, 1950 - ★★★½

Good to watch an old movie for a strange. Great example of starting with the end and telling the whole story in flashback. The voiceover gets a bit wearing, especially when it’s telling you things you can see perfectly well happening on screen.

It’s quite a strange film, and another example of Hollywood telling stories about itself.

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Howl's Moving Castle, 2004 - ★★★★½

I read the book to the kids years ago, but I wasn’t sure whether I’d seen this. Turns out I hadn’t, though I must’ve seen a few scenes, because I was familiar with the imagery.

Anyway, this is wonderful. Right up there with the best of the Studio Ghibli fims.

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Erin Brockovich, 2000 - ★★★★

I wouldn’t have expected that a film about someone fighting an evil corporation that is poisoning people could be so feelgood. But this achieves it.

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The Big Short, 2015 - ★★½

You might come out of this film with a better understanding of the events that led to the 2008 financial crisis -- or you might not. More likely, I think, you'll sort-of understand it while you're watching, but be none the wiser when it's all over.

The question of what happened is explained, but not the one of how it was allowed to happen.

But I think the problem with this as a movie is that it tries to dramatise the events, using versions of some of the real people involved as characters; but it doesn't go far enough in that. We don't see anything of their lives outside of their financial dealings, so it fails to humanise them sufficiently. As characters, I ended up just finding them tiresome.

To really help us to understand the whole thing, it would need to be a documentary, and that would have been harder to sell. So by not quite being enough of one thing or the other, it fails at both.

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Crazy Rich Asians, 2018 - ★★★½

In considering how rich families try to control who their progeny marry, I found it interesting to see if this mapped on to Pride and Prejudice at all. Only if if you stretch things quite a lot. “Darcy” and “Elizabeth” are already together at the start, after all.

It’s a fun enough romp if you don’t mind the fantastical displays of fabulous wealth. Interesting too, to see Michelle Yeoh as a controlling mother rather than a kickass starship captain.

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Bajrangi Bhaijaan, 2015 - ★★★★★

I loved this film more Than I can possibly say. Sure, it’s sentimental as hell, but if you can watch the tale of a mute Pakistani girl who gets lost in Delhi, and looked after by a Hindu Indian guy, without a tear in your eye, then you have no heart.

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