Tales from the Bitface (version 4.2)

It seems Facebook still has the odd use, apart from keeping in touch with family and friends who still use it. I popped in late last night, and it told me I had memories on this day. It seems the 29th of October has been a day on which I’ve often posted in the past, because there were several. But the one that really caught my eye was this one:

15 years ago, it tells me, in 2009, I wrote:

Jason Ringenberg doing The Clash’s ‘Ivan Meets Gl Joe’: a thing of rare beauty. Spotify URI: http://is.gd/4Hcr7.

Now that’s quite telling, in several ways. First of all, remember the is.gd URL shortener? Remember URL shorteners that aren’t t.co?

Also, I haven’t used Spotify in a long time, being a happy Apple Music subscriber. But that doesn’t matter. What’s really weird is that I have absolutely no memory of Jason (out of Jason & the Scorchers, as I’m sure you know) doing any Clash song, much less a surprising choice of Sandinista album track.¹ And back then was probably still in the time when was listening to Jason quite a lot.

Obviously I quickly searched for it on Apple Music. To find that it’s part of an album. Not one by Jason, though. The Sandinista! Project² is a compilation album of covers of the entirety of Sandinista by different artists.

Why was I not told such a thing existed?

Of course, it’s entirely possible that I was told of it, one way or another. Some passing mention, a mental note, quickly forgotten… maybe it was mentioned in Jason’s newsletter or some such.

I mean, it’s not a totally off the wall idea. It’s subtitled ‘A Tribute to The Clash’, and I’ve had or listened to things like it before. I had something called London Booted once, which was sort of techno-ish covers of some or all of the tracks from London Calling. And I remember listening to a reggae version of that album, or tracks from it, at least.

But this is every track on what is famously a triple album. Yes, including ‘Career Opportunities’ (though not, to be fair, ‘Blowing in the Guns of Brixton’). And the great thing about it is, almost no track is a carbon copy of the original. We get jazz instrumentals, ska versions, rocked-up versions of ones The Clash took slowly, and everything in between. Most of the performers are little known, or unknown, to me a least. But we get Katrina of Katrina and the Waves, Jon Langford of the Mekons, Wreckless Eric, The Coal Porters, and of course the aforementioned former Scorcher.

It is really, really good. Highly recommended if you’re a fan, and even if you’re not, I imagine you’ll find something to enjoy. Go on, find it on your favourite service here.

Incidentally, I love that the label it’s on is called 00:02:59 Records. ‘The band went in/And knocked them dead/In two minutes fifty-nine,’ as ‘Hitsville UK’ says.³