I watched the new series of Twin Peaks in January, but haven’t got round to writing about it yet. In part, maybe, because I knew I wanted to read this. In part, because I want to watch it all again.
The series was amazing: an incredible, beautiful, challenging piece of art. But, as always with Twin Peaks,1 there was the question at the back of my mind: is he using surrealism to raise real questions, to investigate mysteries, to raise our consciousness? Or is it just weirdness for weirdness’s sake?2
In the end I lean towards the former. Maybe the whole thing is like a zen koan: if a portal opens in Ghostwood Forest and no-one is there to see it, what will come through?
Anyway, addressing the book at hand, what we have is quite a short volume which is presented as being a report from FBI Special Agent Tamara Preston to Deputy Director Gordon Cole (played by Lynch himself in the show, of course). Its ostensible purpose is for her to summarise what she and the Bureau have learned from the events that the recent series covered, and some other offscreen investigations. It follows on from, and comments on, last year’s Secret History of Twin Peaks.
Much of it repeats what was in the series, but it does add detail and help to clarify some things. For example it’s probably not a spoiler to confirm that the girl in the 1950s in the glorious nightmare of episode 8 was, indeed, Sarah Palmer, as Warren Ellis has speculated. (It was in his newsletter, which doesn’t seem to have a public archive.)
But it also follows up on what happened to most of the characters from the the original series that we didn’t hear about in the new one, giving us much-needed closure. Or at least convincing us that the creators didn’t totally forget about Donna, for example. Along the way it does what the new series failed to do, in that it answers the question raised at the end of the original series: “How’s Annie?”
It’s worth reading, but it doesn’t remove the need for me to watch the whole new series again.
There are certain interesting TV programmes that I’d like to see but I can’t watch for ethical reasons.
If you’ve been around here much before you’ll be familiar with my contempt for Rupert Murdoch and all his works. I’m far from alone in that attitude, of course. But this means, most notably, that I would never get Sky TV. That has only ever mildly bothered me on the odd occasion when they’re showing a film I’d like to see that isn’t available elsewhere.
But things have taken a turn for the worse lately, and it’s largely the fault of an American TV company that I generally heartily approve of: HBO.
Actually the rot probably started to set in when Sky got the rights for Mad Men Season 5, after the first four had been on BBC 2. I’ve still never got round to seeing the later seasons.
But the problem with HBO shows is that Sky has the exclusive UK right for something like five years. And that means I haven’t been able to see Westworld. Which is a shame, because everyone was talking about it a few weeks ago.
More worryingly by a long way for me, though, is that the new series of Twin Peaks, which is not being made by HBO, but something called Showtime. It’s due out in May, I believe, and guess who has the UK rights?
Showtime seem to have a streaming service, so maybe that’ll work here. I wouldn’t be surprised if it didn’t, though.
On the other hand, in doing some research when writing this, I discovered that Westworld is available to download via iTunes, so maybe the same will be true for Twin Peaks.
Either way, it’s going to cost. It would be a lot better if these kinds of things could go to proper channels.
In case it’s not obvious, the reading year starts and ends on Christmas Day. This was a Christmas present, and is also preparation for the new Twin Peaks series, which is due to air sometime this year (though what we’ll have to do to see it in the UK is an open question, and one which I’ll discuss at another time).
Mark Frost was, of course, half of the team that created the original series. This book is presented as a mysterious dossier which has been given to an FBI agent to analyse. It consists of a series of extracts from government and newspaper reports, and comments by someone who signs themselves “The Archivist.” These are further annotated by the FBI agent.
The subject matter is mysteries: the many UFO reports, going back to Roswell and before; the mysterious goings on around Twin Peaks itself; stories of the Illuminati and the masons, and so on. Some of the quoted reports are, I assume, real. Many are part of the Twin Peaks universe. As a whole the work is entertaining if you like that sort of thing — which I very much do — if a little unsatisfying. Though it has certainly whetted my appetite for the new series.