Twin Peaks: The Final Dossier by Mark Frost (Books 2018, 5)

I watched the new series of Twin Peaks in January, but haven’t got round to writing about it yet. In part, maybe, because I knew I wanted to read this. In part, because I want to watch it all again.

The series was amazing: an incredible, beautiful, challenging piece of art. But, as always with Twin Peaks,1 there was the question at the back of my mind: is he using surrealism to raise real questions, to investigate mysteries, to raise our consciousness? Or is it just weirdness for weirdness’s sake?2

In the end I lean towards the former. Maybe the whole thing is like a zen koan: if a portal opens in Ghostwood Forest and no-one is there to see it, what will come through?

Anyway, addressing the book at hand, what we have is quite a short volume which is presented as being a report from FBI Special Agent Tamara Preston to Deputy Director Gordon Cole (played by Lynch himself in the show, of course). Its ostensible purpose is for her to summarise what she and the Bureau have learned from the events that the recent series covered, and some other offscreen investigations. It follows on from, and comments on, last year’s Secret History of Twin Peaks.

Much of it repeats what was in the series, but it does add detail and help to clarify some things. For example it’s probably not a spoiler to confirm that the girl in the 1950s in the glorious nightmare of episode 8 was, indeed, Sarah Palmer, as Warren Ellis has speculated. (It was in his newsletter, which doesn’t seem to have a public archive.)

But it also follows up on what happened to most of the characters from the the original series that we didn’t hear about in the new one, giving us much-needed closure. Or at least convincing us that the creators didn’t totally forget about Donna, for example. Along the way it does what the new series failed to do, in that it answers the question raised at the end of the original series: “How’s Annie?”

It’s worth reading, but it doesn’t remove the need for me to watch the whole new series again.

  1. And maybe with all of David Lynch’s work. ↩︎

  2. “Everybody’s wild at heart and weird on top.” ↩︎

Star Doctors

It was drawn to my attention a couple of weeks ago that I have not yet expressed (publicly) an opinion on either Star Wars: The Last Jedi or the Doctor Who Christmas special. That is both true, and very remiss of me. Trouble is it’s now been quite a while since I saw them both.

Still, I should be able to gather together a few memory cells.

The Last Jedi

I went on opening night, as I microblogged. It was great. There are some points that could have been done differently, or left out, or speeded up; and it had the weird effect towards the end of there being a series of times when I thought it was finished, and it still wasn’t. But all in all a fine work. Not as good as The Force Awakens, maybe. But that’s partly because that one raised our expectations so high.

‘Twice Upon A Time’

Peter Capaldi’s last episode. It was damn fine, loads of fun. Great to see Bill back, even if not exactly. Unnecessary Daleks, but quite a good use of them — or ‘it,’ I should say.

And the introduction of ‘Testimony,’ scooping up people’s memories and saving them, is great. Though how many computer-simulated afterlives can one series have?

And what a dramatic start Jodie Whittaker’s Doctor is going to have.

There you go, only a month or so after the events.

Mouse Takes Fox

The news that Murdoch plans to sell 21st Century Fox and Sky TV to Disney is interesting for how it will reshape the media landscape. But it’s good from my point of view for a number of reasons, some relatively trivial and to do with content consumption; and one big.

  1. The X-Men and the Fantastic Four will come under the control of Marvel Studios. Just in time for Infinity War. Well, of course, far too late — even, I would imagine, for Infinity War Part 2. I expect that’s at least planned by now.
  2. Even more trivial, Lucasfilm can put the Fox fanfare back at the start of future Star Wars movies (and add them in to future reissues of the recent ones).
  3. It will become ethical to watch Sky TV. More of which below.

Above all: better Disney than Murdoch.1

Will Disney own too much? Hell yes. But see above.

On the ethics of watching — and paying for — Sky TV: see this blog passim for my thoughts on that. Like here and here. If Sky had not been owned by Murdoch we might conceivably have got it in the past. But I feel we’re highly unlikely to get it now. Buying a dish in 2017 would just be weird, and our side of the road is not cabled, by some odd historical aberration. But there’s the online version, which I think is called Direct TV. If we had had that I would have been able to watch the new Twin Peaks when it was actually broadcast, instead of now, on DVD, as is actually happening.

Loving it, by the way. And managed to hear no spoilers whatsoever, surprisingly.

  1. I mean, better almost anyone than Murdoch. ↩︎

Star Trek: Discovery, episode 3, ‘Context is for Kings,’ keeps up the good work, in case you were expecting otherwise. And I forgot to say the other day that, although the IMDB people were negative, there is a very positive review on Tor.com. Much positivity in the comments there. too.

Trekking

Past

I can remember when I first saw Star Trek.

That’s not so unusual, but if my memory is right — and I’ve just more or less confirmed that it is — then when I first saw it was the absolute first time anyone could see it, in this country, at least.

Here’s the memory (and it’s tied up, as many good things are, with Doctor Who).

It’s 1969. It’s the summer holidays, and we’re in a holiday home with a TV. That in itself makes me doubt the memory, because back then holiday houses just didn’t have TVs. A lot of houses in general didn’t. But this memory has always told me that we were on a family holiday. And it’s Saturday, late afternoon. I’m settling down at the TV, and somebody says — I think it’s my sister — ‘Martin, Doctor Who finished, remember?’ Because it was Doctor Who time.

And I said, ‘But this is like Doctor Who!’

And as the new programme started someone else — my Dad, I think — said, with a tone of surprise, ‘He knows all about it!’ And then the Enterprise swooshed towards me out of the screen.

I’ve long wondered how true this memory was. It was 1969; I’d have been five. But I just checked:

Initially, the BBC was the first-run broadcaster of Star Trek (12 July 1969-15 December 1971).
…
The series was shown in four seasons, the first on Saturday evenings at 5:15 pm (in the time slot usually taken by Doctor Who).

Which exactly matches my memory: summer, Saturday, Doctor Who slot. And the calendar confirms that the 12th of July 1969 was a Saturday.

I wouldn’t be five for another month plus. Not a bad bit of early-memory retention. I wouldn’t have remembered it at all, if it wasn’t for one thing: trauma caused by fear that my parents would turn the TV off just as this exciting new programme was starting burned it into my brain.

My Dad always liked Star Trek too, so I guess I was partly responsible for that.

Present

Yesterday I watched the first two episodes of Star Trek: Discovery, which are on Netflix (in the UK and Europe, at least; in the US they’re on CBS’s own new streaming service). And I really enjoyed it. I wouldn’t say it felt like being that nearly-five-year-old again, but it did feel like they’re trying something new and potentially very exciting.

Today I was looking at its entry on IMDB. It turns out there are user-written reviews there, which I don’t think I’d been aware of before.

Sadly they are almost universally negative. ‘It’s not Star Trek,’ is a common theme. But there’s a strong whiff of racism and misogyny coming through. Two non-white women as leads means ‘social justice warriors’ are running the show, it seems. Well from what I’ve read of Gene Roddenbery, I think he’d have been happy to be called a social justice warrior. Star Trek was always about diversity and tolerance.

Future

I don’t know how many episodes of this new series they have lined up, but I know I’m looking forward to watching them. So is my inner five-year-old. So would my Dad have been. And so would Gene.

Jodie Whittaker was amazing in Broadchurch. I’m extremely happy to see her as the new Doctor.

Extreme Pyramid Scheme

I didn’t intend to discuss these two episodes of Doctor Who together, but watching the first was delayed because I was in Scotland when the first one was on. And I didn’t realise they were a two-parter.

Except (spoilers) — oh, they’re not. They’re the first two of an n-parter, where n equals… who knows? At least three, and I’m sort of guessing from the titles and directors that it might be four.

Anyway, in them we have one really good episode, one not so good.

Episode 6, “Extremis,” was really very good indeed. Right up there with the best of this series so far. And good to get the mystery of the vault revealed early on, rather than letting it drag on to the end of the season and be an anticlimax.

Episode 7, “The Pyramid at the End of the World,” despite the great title, was weaker, largely because of scientific irrationality and foolish plotting. To say nothing of incredibly lax biosecurity.

That said, I did enjoy it while watching it. It’s one of those ones where a little bit more care, a few easily-insertable words, and it would all have held together much better. The problem with bad science or plotting based on foolish mistakes is that they can dump you out of the story. Critical faculties should be engaged after you’ve watched a show, not unceremoniously force-invoked by something happening onscreen.

Never mind, though: the next one looks very interesting.

BBC Close Their Store Without Explaining Why

I got an email from the BBC today, telling me that the BBC Store is closing in November. Oddly, they don’t explain why. This Engadget article says it’s because “people prefer streaming.”

At least, that’s what the headline says. The article actually says the decision comes “following poor sales and tough competition from streaming services like Netflix and Amazon Video.”

Which is plausible enough, I suppose. Though I doubt that most people could explain the difference between a streaming service and one in which you have to download the file first. And in any case, Netflix and I think Amazon also allow you to download now.

In fact my guess would be more that people prefer subscriptions. Amazon and Netflix are compelling because once your monthly fee is paid you can always watch anything they have. With the Store you had to buy specific titles, and there’s always that hesitation about paying before you watch something.

I only ever used it to watch a couple of episodes of something I had left too late to see on iPlayer. specifically, one episode of Undercover. Apparently I spent £1.89, and I’ll be getting a £2.50 Amazon voucher to make up for it. Whee, an investment.

So I guess I was part of the poor sales.

On the other hand, there is the opinion of some — and it would be of many in Britain, I imagine — that BBC programmes should just be available. We shouldn’t have to pay for them again. “We’re not just listeners and viewers, it belongs to us,” as a great man once sang.

Maybe that’s the solution to the arguments over funding: treat the licence fee as a subscription charge. Increase it, make it optional, but include access to the BBC’s entire back catalogue.

But the Engadget article goes on to say:

If the rumours are true, BritBox — the BBC- and ITV-owned streaming service that launched in the US earlier this year — could be expanded to host more of the BBC’s back catalogue and eventually launch in the UK.

BBC and ITV? Together? Well I never.

Space Suits You

Back to form, then, with Doctor Who season 10 episode 4, “Oxygen.” Jamie Mathieson has written some good episodes before, and he keeps up the standard here. A tale of capitalism red in tooth and claw, it reminds us at times of “Silence in the Library,” and also of Duncan Jones’s Moon.1

It’s a “monster of the week” episode, but the monster is capitalism. This season so far has been surprisingly political. Well, maybe not surprisingly. These are politically-charged times, and science fiction is nothing if not of its time.

There are no particularly egregious pieces of nonsense here, either. Why the suit’s force-field helmets are OK inside the station but not enough outside isn’t really explained, but the real reason is so the actors don’t have to wear helmets for the whole episode, so that’s all right.

Oh, one thing: they’re on a space station: what are they mining? I mean, for copper, but in what? We have to assume it’s asteroids, but they could just have said.

The really interesting stuff is what we might call the “arc” material (if we are harking back to our Babylon 5 days). The shades are back, but only because The Doctor is blind now. Can he fix it by regenerating, maybe? Or by doing a partial regeneration, like Ten? And more about the vault and The Doctor’s oath. Nardole fears what would happen “if that door opens.” But we saw it open last week, so things are not quite as Nardole thinks, at least.

And the very last scene in the “Next Time…” Yes!

  1. Which is a great film that you should see at once if you haven’t already. ↩︎

Brooklyn Nine-Nine was on fire tonight. Still managed to be hilarious while treating a very serious subject with respect.