Category: Longform
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On missing out on Zane
I feel strangely that I've missed out on Zane Lowe -- on knowing who he is as a DJ, as an interviewer; maybe even as the inheritor of John Peel's Radio One mantle. And now he's off to Apple.
I’ve just been listening to an interview with Lowe on Scroobius Pip’s Distraction Pieces podcast, and he comes across as very interesting and informed. And I heard about his Apple move recently on another podcast, wherein Myke Hurley talked about his move and how he had been the best introducer of new music at Radio One since Peel.
(Podcasts are the new rock ‘n’ roll radio: discuss.)
And I’ve never knowingly heard his show.
Which is a shame, on one level. But on another – how often have I listened to Radio One since Peel died? – maybe it’s not really my music any more.
Though on yet another hand, Lowe namechecks Neil Young and various other people that are my music, so…
As to what exactly he’s going to be doing at Apple, no-one outside knows for sure. “Music curation” seems to be the consensus, something to do with the streaming service they might be launching on the back of the Beats acquisition. The Pip podcast was recorded back in October, before he announced the move, so he doesn’t talk about it.
It’s clear, though, that, like Peelie, he’s a music fan above all else.
The First Fifteen Lives of Harry August by Claire North (Books 2015, 2)
There's an old saying by Robert Heinlein (or by one or more of his characters): "It steam-engines when it comes steam-engine time." Technological advances -- and implicitly, other changes, such as social ones -- will happen when a certain weight of events and situations accrues, irrespective of the individuals involved. The steam engine would have been developed around that time with or without Stephenson; the radio in its era even without Marconi, and so on.
By that token these few years seem to be time-jump-story time. For here we have a story that, superficially at least, is very similar to Life After Life, which I wrote about last year as part of The First Three Books of the Year.
The similarity is that we have a character who lives his life, dies, and then lives it all over again. The major differences in this case are that he remembers his previous lives; and that there are others like him.
Also in this one the characters – some of them, at least – question their situation, wonder about how and why it happens. They make use of their gift or curse. As such it is more a work of SF than Life After Life was.
Claire North, we are told at the start, is the pseudonym of a British author. Turns out it’s Catherine Webb, of whom I’ve written before, here. I see that I was critical then of her plotting, and the ending. The current book is much stronger in both regards.
Though it’s not entirely satisfactory. I find it slightly annoying because – and I’m moving into spoiler territory, so you might want to stop reading – while the people who have this affliction – members of the Cronus Club, or kalachakra, as they are called – do ask some questions of their situation, the only one who really tries to explore, to investigate, to understand it: he’s the bad guy. The engine of the plot is to preserve the status quo.
True (within the book, and probably in reality), messing with the status quo – trying to make significant changes to the way historic events play out – tends to make a big mess of things, because history is too complex for anyone to really understand all the causes and effects and so guide it. But Vincent, the antagonist in question, is at least trying to gain some understanding. An alternative to trying to stop him might have been to work with him, but find a less destructive way to do it.
On the other hand, of course, that would have made for a less interesting, less fun story. And as it stands, this is both. So I can’t really complain.
The Crying of Lot 49 by Thomas Pynchon (Books 2015, 1)
This is kind of a frustrating one (and could, like the last one have been considered 2014, as I started it before the year ended; but it was well into January before I finished it.
Anyway, Pynchon can be difficult. I read V years back, and remember next to nothing about it; and I started Gravity’s Rainbow once, but ground to a halt and never quite got round to going back (this despite the fact that I was originally drawn to it by Alan Moore talking about reading it).
This one is a lot less difficult, to say nothing of significantly shorter. Its problem is more to do with how our heroine comes to find out about the weird postal conspiracy that she investigates, and why it matters. We have some engaging characters in interesting situations, but it’s hard to get terribly enthused about a conspiracy to route the post by some means other than official government mail channels.
Especially in these deregulated times, when most of the post is deliveries from Amazon anyway. We Await Silent Bezos’s Empire, I guess.
But it’s worth reading.
Newsflash: the Firefly guys were villains
Malcolm Reynolds’ twelve-headed hydra wang of hate for the alliance doesn’t come from outrage over the dubious morality of a couple of black bag cabals within the government
An excellent analysis of Firefly and Serenity, by someone who loves them as all right-thinking people should.
via Newsflash: the Firefly guys were villains | Jay Kristoff - Literary Giant.
Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys. by Viv Albertine (Books 2014, 20)
A Christmas present: started on Christmas Day and finished just after midnight on the 3rd of January. So I could call it 2015 number 1, but it makes more sense to go with the year in which I started it and read most of it. Anyway, it’s all a bit arbitrary.
Viv Albertine, as I’m sure you know, was the guitarist in The Slits. They had only a short time in punk’s limelight (though as I learned from this, they released a second album, not just the one I’m familiar with).
This book is half about her early years and the punk days, and half about after. She went on to work as a filmmaker and then struggled to have a child, had serious health problems. Eventually she re-taught herself to play guitar, and started performing again (I saw her supporting the Damned a couple of years back, and then supporting Siouxsie at Meltdown a year and half back).
It’s really interesting reading about a time I lived through, events I experienced — from afar, true, but still ones I felt part of — from someone else’s point of view. Especially that of someone who was at the heart of many of the events.
And she writes with some style; it’s a compelling read. She makes some strange choices: for example, she only ever refers to her sister as “my sister”; we never get her name. Similarly with the man she marries. At first he’s “The Biker”, and then “my husband”.
I suppose it’s a matter of protecting the privacy of people who are still alive — especially in the latter case, because he doesn’t come out of it terribly well. Indeed, it may be the case that the only people who are named are those who were already in the public eye to some degree.
Any road, if you are into music, especially punk, at all, I would highly recommend reading this. I plan to get her new album — which came out two years ago, it turns out — The Vermilion Border.
Eclipse SVN key bindings not working
I often get problems with the key bindings when I create a new Eclipse workspace. The recent ones with Subversion seemed intractable until I found this answer on the mighty StackOverflow.
It’s a frustrating thing when your muscle-memory has an action and it doesn’t trigger the expected response.
keyboard shortcuts – SVN key bindings not working in Eclipse – Stack Overflow.
The Schrödinger's Cat trilogy, by Robert Anton Wilson (Books 2014, 19)
A sort-of-sequel to the earlier-discussed Illuminatus trilogy. More sex, more quantum weirdness, and a less coherent story. I don’t think he ever does explain where the missing scientists went, in any of the universes. It’s a lot of fun, though.