Harvest Home

Collected a load of Apples from the garden yesterday. Started to write this post, too, but left it for a bit, and Micro.blog had lost it when I went back. It felt very autumnal. And the title ‘Harvest Home’ cane to mind because there’s a Big Country song by that name. So I listened to The Crossing for the first time in years. Still really good.

Universal Harvester by John Darnielle (Books 2017, 4)

Yes, the end of August and only my fourth book. What on Earth is happening? In short, Alan Moore’s Jerusalem is happening. All 1000-plus pages of it. I’m just over two-thirds of the way through it, and I’m loving it, but I think my target now must be to finish it by the end of the year!

But I got this one for my birthday, and it’s short, so I read it in two or three days while I was on holiday recently. It’s an odd one. It tells a story of some people and some strange videos in the days when there were still video rental shops stores and VHS tapes within them. Which allows someone to insert extracts from strange home videos into some of them, leading our protagonist to start investigating.

It takes place in the farmland of Iowa, and it’s interesting enough, but it’s one of those stories where you end up wondering, Why? Both why did the characters behave like that, and why did the author choose to write that particular story?

Not a bad story, but not that compelling either.

Setting Myself Free of the Bear (and Others)

If you work with plain text, as I prefer to, then you probably try out different text editors from time to time (or, you know, constantly). I recently tried out a nice one called Bear. It’s an attractive environment to write in, syncs well between Mac, iPhone, and iPad, has good previewing and exporting features, as well as a host of different themes to suit your preferences. All in all, it’s got a lot going for it. I used it exclusively for a while, and paid the first month of its subscription.

But I’m dropping it.

The reason why is simple: although it’s all about plain text notes, it doesn’t store your notes as plain text files. Instead, it keeps them all in some kind of database and syncs that via iCloud.

Using iCloud for syncing isn’t a problem, but locking my notes away in a form that’s not accessible to any other text editor definitely is.

Its export features are good, so it’s not that your notes are locked away irretrievably. But while you’re using Bear, you can only edit your notes — or view them, for that matter — in Bear. And that’s just not how I want to work.

It’s kind of antithetical to whole plain-text ethos, to my mind. You should be able to switch text editors without having to even think about it. Just open the file in the new editor and get on with it.

Next I tried the unimaginatively-named Notebooks. A similar setup with the syncing, but you can point it at a directory of files on the filesystem. It has its own strangenesses, though, in that it wants to keep tight control of the directory structure, and when you look at the directory in Finder or another text editor, you find it has been polluted with plist files, one for each plain-text file.

So I dumped that one, too.

And right now I’m trying Ulysses, which is very much of the moment, because it has just switched to subscription-based pricing, and caused much furore in doing so. I happen to also be trying out the SetApp service, which is interesting in itself, and which includes Ulysses as one of the apps it makes available.

It’s fine, but is also prone to dropping the odd plist file in my folder, I see.

In the end I’ll probably stick with nvAlt for short-form notes on the Mac, using a folder synced via Dropbox, and Editorial on iOS. Not forgetting Drafts on iOS, of course, but you only type things there to export them somewhere else, really. And then BBEdit or Sublime Text for longer pieces.

Those last two might become the subject of another piece, about how I don’t get what’s so great about BBEdit. But that’s for another time.

Nuts to Dough

Just thought I should mention, en passant, that when I referred to misspelled donuts the other day, I was talking about the ones that can’t spell “crispy” or “cream”,1 not the spelling of “donut” itself. I was brought up with it as “doughnut,” but I guess I’ve come round to the other, presumably American, spelling.

  1. And that don’t taste at all like proper do[ugh]nuts. ↩︎

New Job

As you may know, I’ve been between contracts lately. Had quite a lot of interest from my CV, but not been so lucky with the tests and interviews.

Yesterday at about 10am a recruiter called me. Today at just after 5pm I was offered the job. A new contract, six months initially, with the likelihood of extending. Sometimes things go fast.

Some Open-Source Software for Your Delectation

I have made a thing, and pushed it out into the world. Well, really, this is me pushing it out into the world, because nobody will have noticed it before now, and with this, there’s a chance they might.

A couple of months ago Manton Reece and Brent Simmons announced the existence of JSON Feed, a new syndication format to sit alongside RSS and Atom; but using JavaScript Object Notation or JSON, instead of XML.

They invited people to write parsers and formatters and so on for it, and I quickly realised that no-one had yet written one in Java. As far as I can tell that is still the case. Or at least, if they have, they haven’t made it public yet.

No-one, that is, but me, as I have written just such a thing: a JSON Feed parsing library, written in Java. I’m calling it Pertwee. That’s the product page at my company site (more on which later). It’s open-source, and can be found at Github

As software projects go, it’s not that exciting. But it is the first open-source project that I’ve released. I hope someone might find some use for it.

Not the Nails I'm Looking For

I got an email from Songkick about a forthcoming gig in Camden by Nails.

You’ll recall, being the avid reader of this blog that you are, that a while ago — OK, six years ago — I wrote about a great song called ’88 Lines About 44 Women’ by a band called The Nails. I know nothing else by them, but the idea of seeing that song live in a tiny basement club is pretty cool.

But I had my suspicions. Especially when the first comment on the Songkick page was all about how it was the loudest gig they’d ever been at. Clicked through to the band’s page, played the video there, and it was immediately obvious that the hardcore band Nails are not indie/new wave/whatever band The Nails.

Just goes to show the difference a definite article can make. Nails sound pretty good, but I don’t think I’ll be going.

Site Moved

This site is now running on a Linux virtual private server (VPS) at Linode. There may be some teething problems from the move, so please let me know if you see anything strange.

Mayday for Human Rights

More evidence, as if it were needed, that this government is not just incompetent, but actively malevolent:

The EU (withdrawal) bill, published on Thursday – known as the “great repeal bill”– which will formally enact Brexit, includes a clause which says: “The charter of fundamental rights is not part of domestic law on or after exit day.”

Yes, Theresa May and her cabal of crazies do not believe that British citizens should have the same fundamental rights guaranteed to them as citizens of the rest of the EU.

Mayhemic Mistake of Two-Year Parliament

This is amusing. Turns out that May has shot herself in the foot:

May has blundered with the threat to use the Parliament Act to force the Lords to pass Brexit bills: a bill must be rejected by the Lords in two successive sessions before the act can be invoked, but that’s been nullified by May’s creation of a two-year session.