Feersum Endjinn by Iain M Banks (Books 2018, 3)

The Great Banks Reread picks up again. I was prompted to read this, despite the pile of Christmas books next to my bed, because of Facebook.

I must have Liked the Encyclopedia of Science Fiction on there at some point, because a post popped up linking to the entry for Parks and Recreation. Whose very existence is surprising (the entry, that is), but it’s just because the last season or so takes place in the near future.

Anyway, the article refers to something called a ‘slingshot ending.’ This is not a term I had heard before, so I tapped through. To be honest even reading it again now, I don’t really understand what they mean by it.

But the article includes the assertion that Feersum Endjinn has such an ending. I’ve just finished rereading it, and inasmuch as I do understand what a slingshot ending is, I don’t agree that this is one such.

Which doesn’t matter at all. I still loved it. And as with many of these rereads, I was surprised by how many details I didn’t remember. Most notably I had totally forgotten that it is set at a time in the far future when Earth’s survival is threatened by an astronomical phenomenon (a dust cloud that will eventually occlude the sun).

The ending… well, that would be to spoil things. Just read it if you haven’t already.

I’ll Sleep When I’m Dead: The Dirty Life and Times of Warren Zevon by Crystal Zevon (Books 2018, 2) 📚🎵

You know how they say you shouldn’t meet your heroes? Well it turns out that sometimes that includes not meeting them between the pages of a book. I’m not sure I’d call Warren Zevon a hero, but he’s definitely a hugely respected and much missed singer and songwriter.

I knew of the tales of wild and crazy behaviour, though I hadn’t actually read any of them — except inasmuch as they come out in the songs. And anyway, those tales are a dime a dozen in rock’n'roll. A lot of this biography, though, is concerned with the people he hurt.

Which is fine, not least since the author — his wife and the mother of one of his children — is a major one of those people. Most of his bad behaviour happened while he was an alcoholic — or while he was drinking, I suppose I should say, since the standard twelve-step narrative is that you never stop being one. Alcoholics Anonymous helped him to stop, though he eventually stopped going to meetings. He didn’t drink for seventeen years, and the opening chapter tells us that when he was diagnosed with terminal cancer he had a scotch. Who could blame him for stepping off he wagon at a time like that?

So he comes across as a far from pleasant character. But my disappointment with the book is more about the complete focus on the man and his relationships, almost to the exclusion of the music.

“The man and his relationships” sounds like an important set of themes to address in a biography. But in the case of a creative person — or really any person worthy of a biography — a key part of the story of their life is their works. If it’s a writer you’ll expect to read about their books; a politician, their victories and defeats; a general their battles. And of course, a musician, their music. It would be strange to read a biography of Beethoven or the Beatles that told of their personal lives but largely elided the music.

Which may be the key: this isn’t a biography, as such. It makes no attempt to be comprehensive, and there’s no real narrative. Although there are plenty of reminiscences from Crystal, the vast bulk of the book is reminiscences from people in Zevon’s life, directly quoted and preceded with their names; almost like a play script. Presumably Crystal interviewed them all, but she herself comes across as just one of the interviewees.

There are quotes from Zevon’s diaries, but he either wrote them in a very fragmented, abbreviated way, or they have been heavily edited. An example:

Jan. 12, 1975
… Took Jordan, visited Father at the steam baths. He gave me a handsome Seiko watch and $135 … quarreling with Crystal … T-Bone came over for spaghetti and I quaffed vodka martinis all night. T-Bone trounced me soundly at chess which surprised and aggravated me, but pleased me, too, by mellowing my lonely-giant-of-the-intellect trip … Made love.

Jan. 15, 1975
… Snorted coke which kept Crystal awake all night … she’s thinking of pregnancy and worried about chemicals in her body …

(All ellipses in original.)

After he gets sober the diary entries become more frequent, which is good. But as a fan of his music, I would have liked to read a lot more about it: its creation, how it was accepted or not at the time, stories of gigs and recording studios, and all that. Unfortunately Crystal wasn’t really involved in that part of his life, and the interviewees who were — like Jorge Calderón or Jackson Brown — either weren’t asked to talk about it, or weren’t quoted doing so.

So not quite the music biography I’d have liked, but not without interest.

The Fallen

2018 is working hard to be the new 2016. First Ursula Le Guin; now Mark E Smith has been taken from us.

The Fall were one of the great bands, no matter what lineup. It’s just sad that the last time I saw them, about two years ago, they were terrible.

Sadder, of course, that Smith is dead.

So it goes.

Star Doctors

It was drawn to my attention a couple of weeks ago that I have not yet expressed (publicly) an opinion on either Star Wars: The Last Jedi or the Doctor Who Christmas special. That is both true, and very remiss of me. Trouble is it’s now been quite a while since I saw them both.

Still, I should be able to gather together a few memory cells.

The Last Jedi

I went on opening night, as I microblogged. It was great. There are some points that could have been done differently, or left out, or speeded up; and it had the weird effect towards the end of there being a series of times when I thought it was finished, and it still wasn’t. But all in all a fine work. Not as good as The Force Awakens, maybe. But that’s partly because that one raised our expectations so high.

‘Twice Upon A Time’

Peter Capaldi’s last episode. It was damn fine, loads of fun. Great to see Bill back, even if not exactly. Unnecessary Daleks, but quite a good use of them — or ‘it,’ I should say.

And the introduction of ‘Testimony,’ scooping up people’s memories and saving them, is great. Though how many computer-simulated afterlives can one series have?

And what a dramatic start Jodie Whittaker’s Doctor is going to have.

There you go, only a month or so after the events.

Too Like the Lightning by Ada Palmer (Books 2018, 1)

The worst thing about this book is that it tells you, two or three chapters from the end, that it’s only the first half of the story. Now, I knew there are two other books in the series, but I expected the first book to be at least capable of standing alone. Turns out it isn’t: the ending leaves us hanging right after the big reveal.

The other worst thing about this book is that I’m not really that compelled to read on. I mean, I probably will, but it’s not like when I read Hyperion, say, and had to scurry around the city trying to find a copy of the second volume.1

After all the fuss about it not being published in the UK, and me not being able to get it, I had high expectations. Probably too high, as it turns out.

Don’t get me wrong: it’s by no means a bad book, and it’s astonishingly accomplished for a first novel. I did enjoy reading it. Its true weakest point— ignore all that complaining above — is that it can be a little bit hard to understand the world she creates. Not impossible, though, and Palmer does go to some efforts to explain it with minimal infodumping. Or at least with infodumping disguised as a conversation with the reader, which works quite well.

It’s about four hundred years in the future, and since the Church War some two hundred or so earlier, the world no longer exists as countries in the way that we know them. Instead people are members of one of seven “hives,” which they can choose to align themselves with at majority. Or not: some people are hiveless by choice.

Countries mean less at least in part because of super-fast international transport by “cars,” which I think are probably suborbital rockets or similar. Though they may have a more advanced propulsion system. The most confusing thing is probably that the leaders of the seven hives are characters and each of them has several names. For any given one of them, each of the others might know them by a different nickname, and the narrator uses these interchangeably. It gets hard to keep track of who’s who.

Global warming appears to have been conquered, or ameliorated to the point where it’s not a major concern. In fact it seems to be very close to a post-scarcity society. People only work at things they want to, and seem to be able to live OK without having to work.

Apart from “Servicers,” that is. Our narrator, Mycroft Canner, is one of these. People convicted of sufficiently serious crimes can end up as one of these. They are essentially public slaves. They are required to work for seemingly anyone who asks them, and are paid in food and board — and occasionally other treats such as cinema tickets. But they have no other way to get these things.

I found it quite a disturbing an idea; though it would almost certainly be better than being in prison; and at least they don’t have the death penalty.

That’s not the most disturbing thing in the book. But I’ll say no more about that.

As I write about it, my estimation of it is going up. Isn’t that strange? If I write enough about it I’ll probably stop to download Seven Surrenders, the next volume.

Oh, yes, as I said, it says it’s “the first half” of Canner’s story; but there are two more volumes. Are they both short, or is the third one more standalone? There’s only one way to find out.

But I have a stack of other things to read first. Also I realise I have no idea what the title has to do with the story. 📖

  1. If memory serves: it was a long time ago, and it may not have happened exactly like that. ↩

Clarke Kickstarted

The Kickstarter for the Arthur C Clarke Award is already fully funded, but now they’re pushing for a stretch goal.

What you get already is pretty good: an anthology of original SF stories of exactly 2001 words each, by a host of great names including past Clarke winners.

But the stretch goal adds a specially-commissioned soundtrack, which is a great idea.

Why are you still reading this? Go and sign up.

Lana, What?

Turns out Lana Del Rey was… mistaken? about Radiohead having brought a lawsuit against her. After me leaping to her defence. I’m very disappointed.

Amanda Petrusich, writing in The New Yorker, tells us:

Eventually, Warner/Chappell*, Radiohead’s publisher at the time of the song’s release, refuted her claim: “It’s clear that the verses of ‘Get Free’ use musical elements found in the verses of ‘Creep’ and we’ve requested that this be acknowledged in favor of all writers of ‘Creep,’ ” the company said in a statement. “To set the record straight, no lawsuit has been issued and Radiohead have not said they ‘will only accept 100%’ of the publishing of ‘Get Free.’ ”

Which seems fairly clear. Read the whole article, though. It’s interesting.

I Never Thought I'd See the Day...

When Gmail launched several years ago offering a free gigantic storage plan of, I think, 1 gigabyte, it seemed impossible that anyone could ever fill that much space with email. Since then, of course, the free allowance has quietly grown and grown. So too has the volume of email, and the average size of individual emails.

Until today, when I see this:

Gmail showing 99% used of 15GB

99% of 15 GB. Whoops! Of course, seven years of using it as a repository for daily backups from WordPress will do that. (It’s not the most elegant of backup solutions, but it’s easy and it works.) I deleted everything before 2017 and now it’s down to 60%.

Crazy Copyright Claim

Gotta say I hope Radiohead (or their lawyers) lose this case:

Pop star Lana Del Rey says she’s being sued by Radiohead for copying their breakthrough single, ‘Creep.’

I’m not a fan of Lana Del Rey, but I just listened to her song, ‘Get Free,’ and the only similarity is the chord progression in the first verse. You can’t claim copyright in a chord progression. Or if you can, you shouldn’t be able to.

If the chords and the melody were the same, they’d have a point, but even then apparently they want 100% of the publishing royalties; don’t the words count? Del Rey has offered them 40%, and I think that’s way too much.

I’m amused that the album containing the song gets its title from a doubtless much better one by the same name: Lust for Life. There’s no copyright in titles, of course.

2017 in Bitface Blogging

Well hello. It’s been a while. That daily posting thing didn’t work too well in the latter part of the year, and was particularly weak in the last couple of weeks. Weak weeks.

In fact I posted 261 times in 2017. It’s surprisingly hard to find that kind of thing out from Wordpress itself. I had to dig into the database and run some simple SQL:

select count(*) from devilgate_posts
  where  post_status = 'publish'
  and post_type = 'post'
  and post_date_gmt like '2017%';

261 is 72% of the days of the year, which is not too bad. Certainly the most posts in any year out of the past fifteen(!)

Here’s the monthly breakdown:

Month Posts
Jan 32
Feb 33
Mar 33
Apr 18
May 27
Jun 15
Jul 21
Aug 17
Sep 18
Oct 18
Nov 23
Dec 6

A strong start, tapering off in the middle, with a rally in November and then a complete collapse in December. I suspect the last is from a combination of post-nano slump and the festive season.

If you’re interested, here’s the SQL that got me that table:

select
  date_format(post_date_gmt, '%b') as Month,
  count(*) as Posts
  from devilgate_posts
  where post_status = 'publish'
  and post_type = 'post'
  and post_date_gmt like '2017%'
  group by date_format(post_date_gmt, '%m');

As to this year, we’ll see how it goes. I hope at least to keep the frequency reasonably high. And improve both code and table formatting.