Microsoft to Buy GitHub?

I can’t help but feel concerned about the news that Microsoft may be buying GitHub. I know they’re big on open source now, and even use GitHub themselves. But I remember how antithetical to open-source they used to be, so that worries me. And it rarely works out well when a big company buys up a small, interesting one.

A ride in the sky at All Points East.

It's Inconvenient to Talk

On Trump’s phone (mis)use:

Trump’s call-capable cellphone has a camera and microphone, unlike the White House-issued cellphones used by Obama.

 

I mean, it’s not going to be much use at making calls without a microphone.

The Book of Dust vol 1: La Belle Sauvage by Philip Pullman (Books 2018, 12)

The first volume in Pullman’s “equel” trilogy: part prequel, part sequel, to His Dark Materials. This one is pure prequel, about trying to protect baby Lyra from the forces of the Magisterium.

If you’re already a fan, you’ll want to read this. It’s a real page-turner. If you’re not already a fan, don’t start here, obviously. You’re looking for Northern Lights.

Which I might be just about to start rereading, because that’s what finishing this one makes me want to do.

Office Foliage

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At my desk these are attacking from either side.

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The view above, and the room as a whole.

Norse Mythology by Neil Gaiman (Books 2018, 11)

Gaiman takes on Thor, Loki, Odin, and the rest. Most of my knowledge of the Norse gods comes from Marvel Comics, with a bit of general cultural osmosis (for example, everyone has heard of Yggdrasil the World Tree, right?)1

I enjoyed it, but it feels like a slight work. That’s a shame, because these are mighty tales, or should be. I guess it’s a book meant at least partly for children, but it’s not marketed that way. And even if It’s meant for kids, the telling should be strong.

I suspect that if you already know the tales, this won’t offer much new to you. And that’s where the problem lies, I think. Instead of turning them into real narratives with proper characters, each story is not much more than a summary of the events. So he’s telling us the story of the story, rather than really telling (showing) the story. It’s a shame, because I know Gaiman could have done something much more interesting with these.

I’m probably being too harsh, though. It’s not like it’s bad. I enjoyed reading it.


  1. In searching for the link to put in there, I discovered the existence of Explain XKCD (or just possibly, rediscovered it, as it does seem a little familiar). Which is cool. Some people put a lot of time into contributing to things online, to the benefit of us all, and I salute them. ↩︎

Duplex Duplicity?

In A Little Duplex Skepticism, John Gruber says what I’ve been thinking about the Google Duplex demo:

It’s totally credible that Google would be the first to achieve something like Duplex, but the fact that all they did — as far as I’ve seen — was play a recording just seems off. It feels like a con.

I’ve only heard a bit of the “booking a haircut“ recording on a podcast. I thought it sounded a) impressive if real, but b) very possibly fake.

That kind of technology will come, eventually; but are we that close to it today?

(If we are, then whether or not we want it to be used in the kind of way demonstrated, is a whole other question.)

Google, of course, gave no timelines, no suggestion of when such a feature might be available. Given that, it makes you wonder why they even bothered to demo it.

Looped

It’s six years old, but I finally got round to watching Looper. Interesting. Not sure about it. Some of the time-travel stuff didn’t make sense — or was confusing, at least. The loopers do their killing and body-disposal in the past, but by the time Bruce Willis comes into it, everyone involved is in the same time, 2044, the past of the movie.

Also I thought I had heard that it wasn’t well thought of, but Rotten Tomatoes has it at 82% from audiences and 93% from critics. That’s pretty good, isn’t it?

This review at The Mary Sue is good on the weak points. Some interesting discussion in the comments, too.

The future was unconvincing — people still driving petrol-burning cars in 2044 and 2074? And the status of women was terrible. You can be a sex worker or a farming mom in future America. I mean, OK, we didn’t see the rest of society, but it’s not great. And a major Bechdel fail. Oh yes, and: the currency is silver? Actual, metallic silver? Time travel has really messed things up.

I enjoyed it on the whole, though, and the ending is great. We could have done without the voiceover, but maybe Rian Johnson, the director, has plans to release a cut without it in one possible future. Now where have I come across that idea before?

Spring