Longform
Everything Everywhere All at Once, 2022 - ★★★★½
After watching this in Paris with French subtitles, I finally managed to see it again. This time on a plane to Canada.
It holds up really well on a second viewing. The Air Canada seatback screens were pretty good. And this time I was able to get all the jokes and nuances in the non-English parts.
I love this film.
Farewell, My Lovely, 1944 - ★★★½
This appears as Murder, My Sweet, on Letterboxd, TMDB, and IMDb, but is actually Farewell, My Lovely. Apparently it was re-titled for the US market back in 1944, because there was a musical with the original name.
The original being, of course, one of Raymond Chandler's novels about the private detective Philip Marlowe. This is a really good adaptation, with what sounds like most of Chandler's dialogue (I mean, why would you change it?).
It's proper, classic noir. But/and there's a scene where Marlowe is captured by the bad guys, drugged, and interrogated, that feels more like the mind-control paranoia of sixties films like The Ipcress File. The visual ideas for suggesting that kind of thing go back a long way, obviously.
📗 Books 2025, 12: The Age of Wire and String, by Ben Marcus
This is a strange wee beastie. The edition I have was published in 1998, and I must have bought it then or not long after. I vaguely remember reading a bit of it and finding it amazing, really powerful. And I obviously started it, because I had a bookmark in it, a few pages in.
But every time I’ve had a look at it since, it hasn’t really grabbed me. Until recently, when I started it again.
And… I’ve no idea what I saw in it back then. It’s a work of surrealism, but it’s just wilfully obscure. Every sentence is grammatically and syntactically sound, but semantically meaningless. It purports to be a catalogue or almanac of a society, with sections titled ‘Sleep’, ‘God’, ‘Food’, and so on. And within them chapters, or short stories, called ‘Sky Destroys Dog’,‘Ethics of Listening When Visiting Areas That Contain Him’, ‘Hidden Ball Inside a Song’.
It can be strangely compelling in places, almost reaching the level of poetry. But mostly it’s a bit of a chore to get through. If I hadn’t had it and kept it so long I probably wouldn’t have bothered.
A very curious work.
📗 Books 2025, 11: Blitzkreig Bops, by Alli Patton
I picked this up at a stall at the local market a few weeks ago. It’s a slim volume, taking its title from the Ramones’ song ‘Blitzkrieg Bop’, and subtitled, ‘A Brief History of Punks at War’. Alli Patton is a music journalist from the southern US and this slim book takes a look at how punk, from the 70s through to the 20210s, has been used to resist war, and call for peace and justice.
She starts with Stiff Little Fingers and the Troubles in Northern Ireland, and moves on through apartheid South Africa to Chile during Pinochet’s regime and punk bands in East Germany during the Cold War.
And then beyond that, decade by decade. There are always wars and oppression, and it seems there are always punk bands resisting and calling for peace.
Worth a read, and she includes a YouTube playlist of some of the artists she covers.
Waiting for Yellow Ribbons
Bemoaning the state of search-engine results leads, by way of some old songs, to the state of part of the Middle East.
Paddington in Peru, 2024 - ★★½
Has its moments, but let's face it. Paddington is inherently funny because he's a bear in London, out of what should be his native habitat. When you put him back into what should be his native habitat, it just loses something.
London Town, 2016 - ★★½
I'm not, honestly, sure this deserves even the two-and-a-half stars I'm giving it. It's a daft story, but it gets extra marks from me for its Clash connection.
It's 1978. A 14-year-old boy lives in Wanstead with his dad and six-year-old sister. Their mum has left and is living in London's squatting scene, trying to make it as a singer. She sends the boy a tape of the first Clash album. It somehow later becomes the record and has '(White Man) in Hammersmith Palais' on it, which it the first album didn't. (The US version might have, but that's not what he's got.)
That's far from the most absurd thing. After the dad gets injured by a piano (which isn't absurd, as he runs a music shop and was delivering it) the boy tries to keep things together for his sister.
In so doing he — and here is the real absurdity — learns to drive and starts driving his dad's black cab, taking fares and avoiding the cops.
Yeah, I know. He picks up Joe Strummer one night. Obviously.
Honestly, it's daft as a brush. I quite liked it, but mainly for the music.
Crucial Track for 11 May 2025: Walk on the Wild Side
"Walk on the Wild Side" by Lou Reed
I don't know whether I can honestly say this the song 'feels like home' to me, but I do recall once, long ago, arriving in Edinburgh from London, and walking up the Bridges with Transformer playing, and thinking it felt like coming home.
'Walk on the Wild Side' is the second track from Transformer to feature on Crucial Tracks, I note, but that's not surprising. I'd consider it a 'crucial album'.
📗 Books 2025, 10: The White Album, by Joan Didion
I read one of the pieces from this, ‘At the Dam’, on my MA course. It didn’t make a huge impact on me at the time, but enough to keep Didion’s name in my mind, and eventually to stir up enough interest for me to get this.
It’s a set of personal essays covering various events around the end of the sixties and the early seventies. It struck me, reading this, she’s kind of a gonzo journalist, or at least gonzo-adjacent, in that the often puts herself in the narrative. Which is good and proper in my humble opinion. Not as intense as HST, but still.
There’s a lot of good, interesting stuff here, including one piece that involves her hanging out with The Doors, waiting for Jim Morrison to arrive. It’s not much about music, though, and I don’t know why she chose to call it The White Album.
One minor annoyance about at least this edition is, although the front matter credits the various publications the pieces originally appeared in (Life, The New York Review of Books, etc), it doesn’t tell us which piece appeared where.
But that doesn’t detract from the pieces themselves.
Crucial Track for 02 May 2025: Sit Down
"Sit Down" by James
Which song would you use to introduce yourself to someone new?
Not sure this is a thing I've ever done in the musical kind of sense, but I guess somebody might say, 'Tell me a song you love,' or something. I could answer with 'Sit Down' by James, for sure.
I saw them live a ton of times in the late eighties/early nineties. They're probably the band I've seen most, along with The Pogues and The Fall. Including on my 25th birthday, headlining the Reading Festival. Actually The Pogues were on that day, too. Or so my memory says, even if the Reading histories don't.
An interesting thing about 'Sit Down' is that they released it as a single and it didn't do much. I saw the video a load of times on the old ITV Chart Show on Saturday mornings back when I lived in Walthamstow.
But like a year or so later they didn't just rerelease it; they rerecorded it, with reordered verses, and a more upbeat performance. Here's the original video on YouTube.
The new version, of course, became a huge hit.
Crucial Track for 1 May 2025: Mario Y Maria
“Mario Y Maria” by Butch Hancock
It’s annoying that the song I want to use for the prompt, ‘Share a song that tells a great story,’ isn’t found on Apple Music. It’s sitting right there in my music library being fantastic, ever since I ripped it from a cover CD from Uncut magazine, back in 2002.
It tells the tale of a pair of lovers that we might describe, in the clichéd form, as ‘star-crossed’. But it’s not a tale of young lovers. Rather, the titular pair are experienced, world-weary (certainly by the end), but they keep on keeping on.
I don’t know if creating this entry will even work with the song not found, but if it doesn’t, I’ll create the post manually. (It didn’t; I did.)
Masked and Anonymous, 2003 - ★★★½
I'd give it five stars for the soundtrack: all Dylan songs. The story is also all Dylan. And the lead actor: Dylan too.
Yes, in 2003, Bob Dylan wrote and starred in this film. In a country in state of constant revolution and war, with the dictator-president dying, a singer is released from prison to play a benefit concert. It's not clear why, but 'The Network' wants to broadcast it.
And Uncle Sweetheart, played by John Goodman, is hoping to get rich from it. It can't end well, and Jeff Bridges, as a journalist who talks a lot more than he writes, listens, or observes, is supposed to be uncovering the corruption.
It can't end well, and frankly it's a bit incoherent. Enjoyable enough though, and certainly interesting to the Dylan fan.
Incredible Story About the Smallpox Vaccine
Astonishing story in The Atlantic, about the smallpox vaccine:
At the heart of history’s most successful eradication campaign is a mystery. The smallpox vaccine—now also being deployed against monkeypox—contains a live virus that confers immunity against multiple poxviruses. But it is not smallpox or a weakened version thereof. Nor is it monkeypox. Nor is it cowpox, as suggested by the vaccine’s famous origin story involving pus taken from an infected milkmaid to immunize an 8-year-old boy.
The vaccine predates systematic, controlled manufacture, so several or many versions were made from various sources. And they were transferred by sending infected children around the world! I do seem to recall hearing that last part before, but not the fact that its true origin is shrouded in mystery.
Well worth a read. Via Kottke
Crucial Track for 30 April 2025: Death or Glory
"Death or Glory" by The Clash
I don't know if this song always makes me feel better, exactly, but I love it to bits and want it played at my funeral. So there's that.
Crucial Track for 29 April 2025: Hungry Heart
"Hungry Heart" by Bruce Springsteen
As far as representing my current mood goes, I'm actually just hungry. But Springsteen's 'Hungry Heart' is always a good choice. The story goes he wrote it for The Ramones, or at least was going to offer it to them. But he decided to keep it, and of course put it on The River.
That album — and most of his gigs since — wouldn't have been the same without it. But I'd still love to have heard The Ramones do it.
Crucial Track for 28 April 2025: The Prince
"The Prince" by Madness
Madness: At the heart of the ska revival of the eighties. I’d have gone to see them in Glasgow, on the Two-Tone tour, with The Specials and The Selecter, if it hadn’t been at an over-18s-only venue. I was 16.
Crucial Track for 27 April 2025: Ticket to Ride
"Ticket to Ride" by The Beatles
It’s interesting that, although I could give you various answers to the ’first single’ question, I don’t actually know what the first album I bought was.
Still, it’s bound to have been a Beatles one. So let’s go with the Red Album, and ‘Ticket to Ride’.
Crucial Track for 26 April 2025: I'm So Free
"I'm So Free" by Lou Reed
Lou Reed is one of my all-time faves, both with the Velvets and solo. This one popped into my mind this morning as we were walking back from badminton (playing the game, not the place where they have horsey things). It’s from the mighty Transformer album.
Crucial Track for 25 April 2025: Baby, I Love You
"Baby, I Love You" by Ramones
First love, eh? 'Music was my first love,' as an old song has it, 'And it'll be my last.' But that's not what this is about, really, is it?
Let's go with The Ramones (they were going to turn up some time, in one or another form, of course), where they made it on to Top of the Pops. Maybe because Phil Spector was at the controls, though we'd have to hope not.
Crucial Track for 24 April 2025: Leonard Cohen
"Leonard Cohen" by boygenius
'What is your favorite song from last year?' I am asked by the daily prompt from Crucial Tracks.
'Favourite,' I say. The 'favorite' spelling reads like a made-up element from thirties SF, or some such.
But I'm avoiding the question. The thing is, what this tells me is, I don't listen to much new music these days. Or, when I do, it doesn't impinge, doesn't resonate with me, become something I go back to.
I spent a chunk of 2024 listening through a list from The Guardian, of the 50 best albums of 2023, in order to check out what was good and recent. I had already heard the PJ Harvey, the Gina Birch, and the Boygenius albums, all of which I liked.
None of the others made enough of an impact to count, sadly. That is, none of them got a second play. One, I think, I gave a decent chance, but couldn't even finish.
And anyway, they were all new works from the year before last, not last year.
So for the purposes of this prompt, I'm allowing 'new to me' to count. And while I love PJ Harvey, so you might expect one of hers to make the cut, I Inside the Old Year Dying is too much an album. It's its own unique thing, but I don't recall a specific standout track from it.
So I'm going with Boygenius and, in another acknowledgment of my lack of new-music-attention, their one that namechecks an old singer — one of my favourites.