Easter Time is Here Again

Easter rolls around on its mad-god-inspired schedule, and so too does Eastercon, the British National Science-Fiction Convention.

This year, as it was two years ago, it’s in the Radisson Edwardian Hotel, near Heathrow. Not the most pleasant or interesting of locations, but it does have the large advantage for me of being relatively close to home. An hour and forty minutes by bus and tube, if TFL is to be believed. And curiously, not much less time overall if you take the crazily-expensive Heathrow Express.

Anyway, the whole family are coming with me this time, which should be fun. We’re just staying for the Saturday and Sunday nights, though some of us may pop back on Monday.

I don’t have any particular plans to see anything on the programme, except the big ones: Iain Banks’s guest of honour speech, and Doctor Who. Looking forward to that one a lot. And it’s going to be interesting watching it with a few hundred other people.

Speaking of guests of honour, the other one is Alastair Reynolds, and i’ve never read any of his stuff (well, maybe a short story or two). So I thought I should do some homework. I’ve been meaning to check him out for a while anyway.

I’ve started Revelation Space, but I’m having a hard time getting into it. It’s just a bit slow to get going. I hope it’ll pick up soon.

Decade's End

This is how we end the first decade of the twenty-first century, then: with Jools on the telly, and a netbook on my lap. A fitting conclusion, I suppose, as the start of it was similarly low-key (I had a small kid at the time, and have two much bigger ones now); and I've spent much of the decade with a computer close at hand.

By some bizarre twist of fate, though, I seem to be out of whisky. I sit in shame at such a state of affairs. One or other form of whiskey will just have to do, though.

Happy New Year, everyone.

Easter Weekend plans

Off to the exciting, glamorous Heathrow area tomorrow, for Orbital, the 2008 Eastercon. It'll be the first convention I've been to for about ten years, so it should be quite fun.

When I was last at the hotel in question, it had a swimming pool. That has since been filled in, sadly. Then again, when I was last there, I don’t think that I actually used the pool, so perhaps it’s not a big deal.

It’ll be good to see some old friends and hopefully make some new ones. And they’ve got a great lineup of guests: Neil Gaiman, Charlie Stross, and China Miéville are the official ones, but as always, there will be various other authors there.

I’ll report back here on how it was (unless, you know, I don’t). Actually, come to think of it, there’s said to be free wifi in the hotel, so I’ll probably report back from it.

A Deadline Crash, and a Reading

Over the last few weeks I've been trying to write a Doctor Who short story. It was for a competition that Big Finish, publisher of DW books and CDs, were running. Alas, the closing date was the 31st of January, which is now past, and I didn't finish it (does that make it a Small Finish?)

Still, I’m enjoying writing it, and intend to finish it anyway, just on general principles. It doesn’t do to go around having lots of unfinished pieces (and I speak as someone who has a great many unfinished things lying around, of one variety or another).

When I do finish it, I’ll probably put it online. Now my question is, does such a work now count as fanfic I suppose it does, on some level. Curious, because the winner of the competition gets professionally published, and that obviously isn’t fan fiction.

Still on a literary note, my friend Andrew was in town the other night, because he was one of the authors who was doing a reading that was organised by Farthing magazine. Until Andrew told me about the event, I didn’t even know that the publication existed.

It was a good night. I missed the first reading, by Anna Feruglio Dal Dan, but heard various drabbles, Andrew’s story, and two other fine stories.

During the interval I picked up the back issues of the magazine and took out a subscription. Then at the end we helped the Editor, Wendy Bradley, to carry some boxes back to her flat, and drank her whisky.

All in all, it was a fine night.

Burning Silver Discs for Gold

In which I make a CD compilation, and blow whatever vestiges of my credibility remained

I’ve been a bit invisible on here for a while. First I had two weeks camping in France, during which (among much else) I managed to grow a beard (not that I was particularly trying to: it just kind of happened). In the first couple of weeks after getting back I spent much of my free time on preparing a CD for a special occasion.

The occasion was the golden wedding anniversary of my beloved’s parents. They had asked me to provide some music for after the dinner. The brief was to get the grandkids dancing. The theme we chose was to cover all the decades from 1956 to 2006.

Now, strange as it may seem, I’ve never actually made a compilation CD before, despite having had the technology to do so for several years. I was never really very big on making compilation tapes, either. So the first thing to do was to check that the technology worked.

Our CD writer hasn’t written under Windows since we got Dell to replace the whole drive when it broke down. It’s doubtless some kind of driver problem, but I haven’t bothered to try to fix it. I know what you’re thinking: CD writers are as cheap as potatoes these days; but never buy a new one when there’s a way to get the old one working, I say. The logical solution, then, was to use Linux, where the same drive does work; and which is my preferred working environment anyway.

I’m currently using the Kubuntu distribution, and as it is KDE based, the logical CD creation tool seems to be K3B. This is essentially a graphical front end to various command-line tools, which is a fine approach. Unfortunately the GUI is a bit clunky. Still, nothing I couldn’t live with (once I had dowloaded and installed the plugin that allows it to recognise MP3s, at least).

So the next thing was to consider how to get the tracks we wanted. We already had quite a lot, of course, but inevitably there were plenty that we wanted that we didn’t have. I briefly considered the iTunes Music Store, but rejected it because a) I was using Linux, so couldn’t use iTunes; b) my MP3 player is not an iPod, so it (ITMS) would have been little use to me after this project; and c) most importantly of all, I didn’t want to have to struggle with DRM(Digital Restrictions Management, thought they’d like you to believe it’s “Rights”.).

I already use eMusic, which is good for relatively recent, independent stuff, but is not really a source of classic tracks. I did get ‘Rock Around the Clock’ from there, though. As well as that, Frances bought a couple of new CDs: a Paul Simon collection and a disco compilation.

But for the rest, and for the maximum flexibility, there was only one solution: I would have to enter the murky grey-area waters of AllOfMP3.com.

If you haven’t come across this site, it’s based in Russia and a legal grey area. The people who run it claim to be following the copyright laws of Russia; and presumably that is true, because the site continues to operate. However, they are able to offer a vast collection of albums for mere pennies per track. And all in a selection of formats, and without DRM.

The grey area is that we may be breaking the law by using their services in other countries, such as the UK.

It’s still running, though, so let’s work on the assumption that it’s OK to use it.

I set up an AllOfMP3 account, and by a daft number of steps of indirection, got some money into it, and downloaded a few tracks.

It’s good stuff: they have a huge selection of tracks, and the prices are so cheap. I think it has something to teach iTunes and the other legal download sites: the less you charge (and the less encumbered the files) the more people will buy.

I don’t think there was a track, or at least an artist, that I couldn’t find on it.

Oh, OK, there were two, but they’re both a tad embarassing. We got a late request for the following tracks: ‘Summer Holiday’; ‘Y Viva España’; and ‘Remember You’re A Womble’.

Yes, I know. But since novelty hits (and songs from kids' TV shows) were by no means outwith the scope of the project (and since we aleady had both ‘Crazy Frog’ and the Bratz TV theme), I attempted to comply.

Which was harder than you might have expected. AllOfMP3 had the first, but the second was slightly harder. I did find it, though, squirreled away on somebody’s MP3 blog (which seems to mainly consist of tracks ripped from old tapes found in the Dalston branch of Oxfam: the ripper/blogger is practically a neighbour).

Those Wombles, though: they’re hard to find.

There is a strange class of sites out there that list the contents of albums, and appear to allow you to click through and buy the the tracks; but when you do, you get a screen saying, “That track is not available”, or “This album is not available”. Which makes me wonder why they bother to list it on their sites; or at least, why they list it with live links that make it look as if you can buy it.

Anyway, somewhere on the deeper, darker recesses of the net, on the very last page of sites that, as far as Google knew, contained the string, “remember you’re a Womble”, I found it. Or at least part of it: it ends very abruptly. But in the context of the compilation, that didn’t actually seem to matter too much.

The party was a great success. The music went down very well, with only one slight problem: we overran our time in the hotel’s function suite, and never got to play the second disk. Too much eating, not enough dancing, I suppose.

Still, now that I’ve done one, making other compilation CDs should be a doddle.

Oh, and the beard (I mentioned it earlier, you weren’t paying attention) came off before the party. The kids complained, but some things just have to go.

The track listing? Oh all right then:

Pachyderm Prestidigitation

Like much of the rest of the London Blogosphere, I went with the family to see The Sultan’s Elephant on Sunday. I had had a quick look at it on the way home from work on Friday, when it was just standing still at the end of Pall Mall. Then, it was clearly impressive; but wasn’t clear quite how glorious, how majestic it would be once it was moving among crowds.

We drove in to Holborn and took the Tube to Green Park. The Tube was crammed, and I assumed (and feared) that everyone there would have the same aim as us. But no, it was just a commonplace weekend crowd, with many destinations in mind. When we got out, Piccadilly was busy, but not obviously in an unusual way.

We could see that the road was partly closed in the direction of Piccadilly Circus, so we headed that way. In the distance we could see crowds of people, but no obvious forty-foot elephant (and it’s hard to imagine a forty-foot elephant being anything else). One of the stewards told us that it was going to turn down Haymarket and then into Pall Mall.

Then, as we got a bit closer to the Circus, I caught a glimpse of a large leather ear flapping, and soon we could all see its head. But Piccadilly had never seemed so long, and it began to feel as if we wouldn’t catch it, though it was obviously going very slowly.

I hoped to get a picture of it with the statue of Eros in the same shot, but it was not to be. By the time we got to Piccadilly circus, it had already turned into Haymarket. So we decided to cut down Regent Street and get ahead of it. Guess what? We weren’t the only ones to have that idea. By this time we were among crowds, but not so dense that it was very hard to move; just dense enough to make us keep a tight hold on the kids.

A bit of zigzagging through back streets and we found ourselves on Charles II Street. Iit was clear from the music coming from Haymarket that the elephant hadn’t passed yet, and from the layout of the crowd that it would be coming along that way. So we positioned ourselves at the edge of the pavement and waited.

Sure enought, after a few minutes some stewards came along the street asking people to stay back on the pavements. Another few minutes and several police officers came along with the same message.

It’s worth pointing out both how good a job the stewards and the police did, and how little they actually had to do (from what I saw of it). It just goes to show that you can stage a big event with minimal crowd control. Treat people with respect and give them something interesting to watch and you don’t need to herd them through crash barriers like cattle in a slaughterhouse.

Anyway, a few minutes after that, and the elephant’s head began to appear round the corner. It was, as I said above, majestic: that’s the word that came to my mind as soon as I saw it.

I don’t know if it was the beauty of the beast, or the fact that there were bagpipes among the music that was playing (the pipes always get me like that); but I felt a lump in my throat and a tear in my eye as it approached.

Then the fucker sprayed me with water.

Actually, being sprayed was quite fun. Fortunately it was a hot day. But I got hit so directly that I could almost hear the operators saying,”Get the guy in the orange t-shirt and sunglasses.” If you don’t want to get hit, don’t dress up like a target, I suppose.

As the beast itself passed next to us, and I got a brief chance to admire the action of the legs (it moves on wheels, but the leg movement is very convincing), I realised that the music was coming from a truck behind it on which a live band was playing. I had assumed it was just recordings, but the band added an extra touch, and we got to listen to them up close. They were good, and I’d like to find out who they were.

After it passed, and the crowd thinned a bit, we decided to head round to Waterloo Place to see the Little Girl’s crashed space capsule; not realising that it had been moved. No matter, though: it meant we got another view of the elephant as it turned onto Pall Mall.

And so to home. We didn’t stay to see the finalé, so we didn’t see the Little Girl at all; nor did we see her spaceship. All that was left on Waterloo Place was a hole in the road, which people, in their infinite capacity to make a mess, had already started dropping rubbish into. As it turned out, the ship had been moved to Horseguards for her to leave in.

It was a fabulous thing to see, though, and I’m so glad that the Mayor and the GLA saw fit to have it here.

My son asked me at one point, as the music surrounded us and the elephant towered over us, “Why did it come to London?” I answered with joy and almost without thinking about it, “Because this is the best city in the world.”

Sometimes it is.

The Many-Angled Pub

I went out for a drink with some people from work last night.  We went to a place in Covent Garden called The Porterhouse.

It’s a very curious place.  It extends across three or maybe four floors.  Or maybe only two, but with lots of mezzanines.  It’s full of alcoves: everything, it seems, is an alcove.  I have no idea, for example, how many bars it has.  And in fact, I didn’t go to the bar all night.  That, though, is because they have something that is remarkable in a British pub: table service.

Yes, it’s very strange.  waiters come and go, collecting glasses and trays, but also, when asked, taking orders and returning — very quickly — with trays of beers.

So I spent the night drinking Caledonian 80/-.  A taste of home, perhaps, but a) it was bottled; b) it was too cold to taste right; and c) it’s been such a long time since I drank it back home that it hardly counts.  And I always preferred McEwan’s 80/-, anyway.  Oh, and pizza.  They serve food, too, and claim a woodburning oven.

It was a good night.  But that pub.  You know the old computer game that used to say, “You are in a maze of little twisty passages, all the same”?  It was a bit like that.  But mostly it reminded me of the house in HP Lovecraft’s ‘Dreams in the Witch-House.’

Oh, I suppose the angles weren’t really that wrong; that the walls were quite straight. But there were definitely too many rooms, and bits, and stuff: if not angles.