Tales from the Bitface

I was surprised just over three weeks ago when I learned – from the Saturday Guardian, the physical newspaper, of all things – that Doctor Who was staring the next day. I was aware it was going to be happening this autumn, certainly, but somehow I’d missed any hype about it online.

I was perhaps more surprised to learn that it was going to be a single story. Surprised, and pleased: a six-parter, just like the old days, like the ones I grew up with. Of course, back then you’d get a few four-parters and maybe a six, all across what felt like many weeks. In this case, the six parts will make up the whole season. But still. There would be cliffhangers.

Now we’re three weeks in, halfway through.

There are cliffhangers. So many cliffhangers. Cliffs hung so thoroughly that the metaphor breaks down. The whole thing even started with The Doctor and Yaz hanging upside down. Not from a cliff, but still.

Hang those cliffs. The angels have the blue box.¹ No, wait, that’s for later. Or earlier. This time haze is getting to me.

This season, series, story, whatever you want to call it, is incredible. I am loving it. If they can hold up this quality, and especially give it a good ending – stick the landing, as people say for some (I believe gymnastics-related) reason – then it could be the high-water mark of Doctor Who.

And even if they don’t manage a great ending, the ride will have been worthwhile.

But I want to get something out there before we get too much further into the series, and spoilers ahead, probably, so stop reading if you haven’t seen at least up to episode 3, ‘Once, Upon Time.’ Also if you think speculations can be spoilers. I, personally, don’t.

OK, so, we’ve seen glimpses of the Weeping Angels in these episodes. These creatures feed on time energy, and in this story, time energy is going wild, has been unleashed in dangerous ways. Whatever all that means (‘Time is evil,’ as one of the priest-triangles said).

I think we’re seeing the origin of the Weeping Angels. Or we’re going to see it. Something that happens in this story will bring the Angels into being. No idea what, mind you. I thought the Mouri in the Temple of Atropos might end up turning into them, but I think we’ve moved away from there now.

Anyway, all is well in Who-land.

Sorry, that’s, like, the most obvious title in known space. Jodie and Chris are leaving Doctor Who after the next series and specials. Late 2022, that is.

That BBC News report is almost comically self-flagellatory. After quoting Jodie Whittaker’s hugely positive statements about the show, they say this:

While many have praised Whittaker’s casting, some fans and critics have criticised the show’s recent narrative direction.

The Telegraph described recent episodes as “flat, worthy and woke” despite Whittaker’s talent as an actress, while The Sun reported viewers were left furious by the show’s “unbearable political correctness”.

– Uncredited BBC reporter, Doctor Who: Jodie Whittaker and Chris Chibnall to leave in 2022

If those publications are making those criticisms, I’d say that’s a big win. Stop beating yourself up, the BBC. The programme is and remains a success, the jewel in the BBC’s crown.

Significantly further down the report they say:

Episodes such as Rosa, Demons of the Punjab and Spyfall thrilled audiences, and netted the show two Bafta Must See Moment nominations, along with multiple National Television Award, Bafta Cymru, TV Choice and Critics Choice nominations.

In 2020, Whittaker was voted second most popular Doctor of all-time in a poll of 50,000 fans for the Radio Times, losing out to David Tennant.

– As before, Doctor Who: Jodie Whittaker and Chris Chibnall to leave in 2022

So there you go. Now: who’s going to the the next Doctor? And – arguably more importantly – who’s going to be the next head writer?

Or will they just put the show on ice for a few years? I read a piece recently that suggested that’s what it needs to revitalise itself, citing the gap from 1989 to 2005 as the model.

I hope they don’t do that. In fact, if it needs revitalisation at all, then last season’s big revelations about the Doctor’s origins are just what they need for that. You could, for example, have a season or two of Jo Martin’s Doctor. She’d be great, though such a move would confuse people, since it would be in the past of the Doctor we know.

We can only look forward to finding out.

You probably want to know what I think of the new series of Doctor Who so far.

It got off to a really strong start with ‘Spyfall’ part 1. Not least with its genuinely surprising reveal at the end. And then part 2 followed up on it. Not everything made total sense, but what the hell, it’s Doctor Who. There were some complaints about the way the nazis and The Master were handled, and I get that. And it had the memory-wiping thing. But all in all, I found it a strong, promising start to the new season.

And then we got ‘Orphan 55.’

Oh dear. Oh dearie, dearie me. This was, for me — I’m not going to sugarcoat it — the worst episode of Doctor Who ever. At least in the modern era.

The story was confused and confusing, the direction was incoherent, the character motivations made no sense… Oh, and the message — admirable though it was, to say it was beating us over the head with a stick is to understate how heavy-handed it was.

I thought it must be a first-time writer and director. But no: it was written by Ed Hime, who wrote ‘It Takes You Away’ last season, which was very good. And it was directed by Lee Haven Jones, who directed ‘Spyfall’ part 2, just the week before.

So what went wrong? Hard say, but I’ve got to hope they pick things up again on Sunday.