Book Notes 11: The Originals, by Dave Gibbons

More graphical stuff from the library. Quadrophenia with hover-bikes and -scooters. It’s beautifully drawn, and well-enough told, but really, why?

There is literally no other technological change. Oh, there might be differences in the materials of the clothes, of the contents of the pills: but the look is pure 1965 – or 1965-as-remade-in-1979. I really don’t see what the point of this was.

Book Notes 10: Skizz, by Alan Moore and Jim Baikie

The local library is proving a great source of graphic fiction at the moment. Another early-early Moore, one of which I had heard, but had definitely not read.

It is Moore’s interpretation of a theme that was then very common, the alien lost on Earth. It wears its debt to ET quite openly: one of the characters even referring to the film for inspiration in how to deal with the alien.

That said, it’s entirely possible that Moore developed it without prior knowledge of the film: it wasn’t a new idea when ET used it.

Skizz is a gentle, heartwarming tale of respect between intelligent beings, regardless of difference. A human girl meets the “other”, and finds he is not so “other” at all.

And it has a genuinely nasty and scary baddie, and reconciliation between generations. Highly recommended.

Book notes 8: The Complete DR and Quinch, by Alan Moore and Dave Gibbons

I found this in the local library. I thought I hadn’t read it, but I remember reading the ‘Something something, oranges something’ episode (AKA ‘DR and Quinch go to Hollywood’) back when I was at university in the 80s. I expect they were reprinted by one of the American companies (possibly coloured in?) and I got some of them.

This is early-early Alan Moore, and of course is nowhere near the quality of his later-early work such as V for Vendetta or Watchmen, or his more recent work like The League of Extraordinary Gentlemen, but it’s quite fun.

As a parent of young kids, though, I now see it as surprisingly violent. Not that I’d censor it, or anything: just that it’s something I’m more aware of. Or aware of in a different way. Back when I was a student I’d probably have celebrated the violence for its wild- and cartoon-ness.

Indeed, I discovered that the book used — presumably coined — the term ‘napalm dispenser’, which I borrowed for a round-robin work that I was involved in back in my university days, and which had hilarious, and nearly calamitous results. I should probably write a blog post about that one day. It involved cucumbers.