Category: 2006
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Burning Silver Discs for Gold
In which I make a CD compilation, and blow whatever vestiges of my credibility remained
I’ve been a bit invisible on here for a while. First I had two weeks camping in France, during which (among much else) I managed to grow a beard (not that I was particularly trying to: it just kind of happened). In the first couple of weeks after getting back I spent much of my free time on preparing a CD for a special occasion.
The occasion was the golden wedding anniversary of my beloved’s parents. They had asked me to provide some music for after the dinner. The brief was to get the grandkids dancing. The theme we chose was to cover all the decades from 1956 to 2006.
Now, strange as it may seem, I’ve never actually made a compilation CD before, despite having had the technology to do so for several years. I was never really very big on making compilation tapes, either. So the first thing to do was to check that the technology worked.
Our CD writer hasn’t written under Windows since we got Dell to replace the whole drive when it broke down. It’s doubtless some kind of driver problem, but I haven’t bothered to try to fix it. I know what you’re thinking: CD writers are as cheap as potatoes these days; but never buy a new one when there’s a way to get the old one working, I say. The logical solution, then, was to use Linux, where the same drive does work; and which is my preferred working environment anyway.
I’m currently using the Kubuntu distribution, and as it is KDE based, the logical CD creation tool seems to be K3B. This is essentially a graphical front end to various command-line tools, which is a fine approach. Unfortunately the GUI is a bit clunky. Still, nothing I couldn’t live with (once I had dowloaded and installed the plugin that allows it to recognise MP3s, at least).
So the next thing was to consider how to get the tracks we wanted. We already had quite a lot, of course, but inevitably there were plenty that we wanted that we didn’t have. I briefly considered the iTunes Music Store, but rejected it because a) I was using Linux, so couldn’t use iTunes; b) my MP3 player is not an iPod, so it (ITMS) would have been little use to me after this project; and c) most importantly of all, I didn’t want to have to struggle with DRM(Digital Restrictions Management, thought they’d like you to believe it’s “Rights”.).
I already use eMusic, which is good for relatively recent, independent stuff, but is not really a source of classic tracks. I did get ‘Rock Around the Clock’ from there, though. As well as that, Frances bought a couple of new CDs: a Paul Simon collection and a disco compilation.
But for the rest, and for the maximum flexibility, there was only one solution: I would have to enter the murky grey-area waters of AllOfMP3.com.
If you haven’t come across this site, it’s based in Russia and a legal grey area. The people who run it claim to be following the copyright laws of Russia; and presumably that is true, because the site continues to operate. However, they are able to offer a vast collection of albums for mere pennies per track. And all in a selection of formats, and without DRM.
The grey area is that we may be breaking the law by using their services in other countries, such as the UK.
It’s still running, though, so let’s work on the assumption that it’s OK to use it.
I set up an AllOfMP3 account, and by a daft number of steps of indirection, got some money into it, and downloaded a few tracks.
It’s good stuff: they have a huge selection of tracks, and the prices are so cheap. I think it has something to teach iTunes and the other legal download sites: the less you charge (and the less encumbered the files) the more people will buy.
I don’t think there was a track, or at least an artist, that I couldn’t find on it.
Oh, OK, there were two, but they’re both a tad embarassing. We got a late request for the following tracks: ‘Summer Holiday’; ‘Y Viva España’; and ‘Remember You’re A Womble’.
Yes, I know. But since novelty hits (and songs from kids' TV shows) were by no means outwith the scope of the project (and since we aleady had both ‘Crazy Frog’ and the Bratz TV theme), I attempted to comply.
Which was harder than you might have expected. AllOfMP3 had the first, but the second was slightly harder. I did find it, though, squirreled away on somebody’s MP3 blog (which seems to mainly consist of tracks ripped from old tapes found in the Dalston branch of Oxfam: the ripper/blogger is practically a neighbour).
Those Wombles, though: they’re hard to find.
There is a strange class of sites out there that list the contents of albums, and appear to allow you to click through and buy the the tracks; but when you do, you get a screen saying, “That track is not available”, or “This album is not available”. Which makes me wonder why they bother to list it on their sites; or at least, why they list it with live links that make it look as if you can buy it.
Anyway, somewhere on the deeper, darker recesses of the net, on the very last page of sites that, as far as Google knew, contained the string, “remember you’re a Womble”, I found it. Or at least part of it: it ends very abruptly. But in the context of the compilation, that didn’t actually seem to matter too much.
The party was a great success. The music went down very well, with only one slight problem: we overran our time in the hotel’s function suite, and never got to play the second disk. Too much eating, not enough dancing, I suppose.
Still, now that I’ve done one, making other compilation CDs should be a doddle.
Oh, and the beard (I mentioned it earlier, you weren’t paying attention) came off before the party. The kids complained, but some things just have to go.
The track listing? Oh all right then:
Book Notes 13: Harry Potter and The Half-Blood Prince, by JK Rowling
This, you won't be surprised to hear, was a re-reading. I started out reading it to my nine-year-old son. He, of course, soon zoomed ahead on his own, leaving me to finish more slowly. I think that makes it three times for him. Definitely just the two for me. And he's read it at least once more between me first drafting this post and finally getting round to publishing it.
So, how is it? In particular, how does it hold up to a re-reading? The short answers are “great” and “really well”.
I’m a sucker for Rowling’s work, an unashamed big fan. And obviously, I wouldn’t have been reading it again if I hadn’t liked it the first time.
So, yeah, it’s great. Probably not the best of the series (though I’m not sure I could say what that is), but not the worst, either.
I have a view on the major plot spoiler, but I won’t go into that here. Suffice to say that I’m largely convinced by the arguments of the site whose very domain name is a spoiler (though I see that it has changed its name, now).
What with Harry Potter, the Lemony Snicket books, the Artemis Fowl books and others, we are truly living through a golden age of children’s literature (or at least, publishing).
I was surprised, when I asked my son whether he was more eagerly awaiting “Seven or Thirteen,” that he said, “Thirteen.” Perhaps he sensed that Mr Snicket would be finished before Ms Rowling; and it turns out that he was right: the final adventure of the unfortunate Baudelaire orphans is coming out next month (on Friday the thirteenth, suitably enough.
This Is England
This Knife of Sheffield Steel
When you grow up in Scotland (or at least, when I did so during the sixties and seventies) you pick up a fair amount of anti-English feeling. It’s mainly to do with football, but it is linked to what is seen as several hundred years of oppression. Although the Act of Union was, in theory, a mutual act between two independent nations, it is clear which was the dominant partner.
I’ve lived in England — in London — for nineteen years, though, and am unlikely to leave (or not to go back to Scotland at any rate: if I left London it would be to escape the UK’s ubiquitous surveillance state and paranoid anti-terror laws). It should be obvious, then, that I harbour no great dislike of England or its people. Indeed, to harbour such a collective dislike for fifty-odd million would be bigotry of the most ludicrous sort.
However, I have long been bothered by the apparent inability of many English people to distinguish their country’s identifying features from those of the larger nation-state of which it is part. And I’m further disappointed by what seems to be a similar difficulty that many of Dave’s Big England guests have had: finding things to love that are uniquely and explicitly English.
As I discussed with Roldy on his Big England piece, so many of the the things that people have chosen are not English — not uniquely so, at least. Though many of them are uniquely British.
On A Catwalk Jungle
John Lennon was sadly mistaken when he sang “The English army had just won the war” — and not just because he was ignoring the contributions of Canadians, Poles, the Free French, and of course, the USA.
That is poetic licence, and it would be churlish of me to complain. But it is perhaps the most famous example of the casual use of “England”, when the speaker or writer really means one or other of “Great Britain”, “The United Kingdom”, or even “The British Isles”.
Some would say that it doesn’t matter. However, I believe it is always worth taking care with language, to try to say precisely what you mean: how else are others to understand you? Also, it’s bloody annoying to us Scots (and probably to the Welsh and Northern Irish, too). Maybe that’s why they do it, of course.
Where the Well-known Flag of England Flies
It used to be that the English also seemed confused about which country they meant at football matches. All through my childhood and well into my twenties I wondered why English football fans supported their country using an emblem that contained representations of two other countries as well as their own. I’m speaking of the Union Flag, of course. Stadiums used to be draped in it, even when England were playing Scotland in the old Home Internationals (just as an aside: can you think of another country which has such a tautologically-named event?)
What did they think the blue part with the white cross represented, I used to wonder?
In recent years, though, football fans at least seem to have worked out which country’s flag they want to fly. Which brings us back to why Dave started this whole thing.
Land of One Thousand Stances
I guess I like England; but it took me a long time to realise that I don’t have to like it in opposition to anything, particularly Scotland: I can (and do) love London, and still love Edinburgh.
London is something of a special case, though. While it is undoubtedly in England, there is a sense in which it is not of it: it is not really part of England, or of any country. Perhaps all great “world cities” are like that. The old song goes, “Maybe it’s because I’m a Londoner,” not, “Maybe it’s because I’m English and London is the capital city of my country”.
So where does all that leave me? In a word, I think, ambivalent. All the things that I might list that I like about this country, I don’t see as uniquely English (except by geography), but rather as British: music, literature, scenery, beer, the BBC…
Maybe the thing to do is turn it on its head. While I would claim The Beatles or The Clash as “British bands”, rather than “English bands”, I would claim Iain Banks or Irving Welsh, say, as “Scottish writers”. So maybe I’m being unfair to England.
But then, I’m in the oppressed minority.
And cricket’s still the most boring thing imaginable.
Book Notes 12: The Last Temptation, by Neil Gaiman and Michael Zulli
The last of my three recent graphic borrowings from the library, and the one I expected to like most. But it's a bit lightweight for Gaiman's work, and for my taste.
It’s based on work that Gaiman did with Alice Cooper for a concept album that the latter released in 1994. I didn’t know that people still made concept albums, but there you go.
Also there is one theme in particular that Gaiman was to revisit in American Gods; namely that of the town where children disappear periodically. In American Gods the periodic disappearance (and murder, let’s face it) of the child acts a kind of spell, which protects a town from the encroachment of the rest of the world and the forces of modernity and ‘development’. In this work, there’s no suggestion that the children’s absorption into the ‘Theater of the Real’ brings advantage to anyone other than the the semi-mythical ‘Showman’. Gaiman was perhaps using this work to develop some of the ideas that he would return to later.
There’s nothing wrong with that, of course, but as I say, the work as a whole seems shallow and perhaps incomplete, compared to, say, The Sandman.
Book Notes 11: The Originals, by Dave Gibbons
More graphical stuff from the library. Quadrophenia with hover-bikes and -scooters. It’s beautifully drawn, and well-enough told, but really, why?
There is literally no other technological change. Oh, there might be differences in the materials of the clothes, of the contents of the pills: but the look is pure 1965 – or 1965-as-remade-in-1979. I really don’t see what the point of this was.
Hackers crack new biometric passports
"The whole passport design is totally brain damaged," Mr Grunwald told Wired.com. "From my point of view all of these [biometric] passports are a huge waste of money - they're not increasing security at all."
No surprises there, then. Except maybe how quickly it’s happened. Single point of failure, anyone?
On Countries, Nationhood, and Being Invited to Write a Guest Spot
Dave Hill is a novelist, Guardian writer and prolific blogger. He is running a series of guest pieces on his blog. They're on the theme of "What I Like About England (or not, as the case may be)." He was inspired to do this mainly by all the flag-waving furore during the World Cup (with maybe some influence from Andy Murray's attire at Wimbledon).
I’m pleased to say that he has asked me to contribute. I’ll post here, of course, when my piece is up. In the meantime I’ve been thrashing out some of what I might say in the comments thread of one of the earlier pieces.
Dave’s overall title for this project is ‘Big England’. You can see all the pieces to date here
Middle-East Madness
I've been thinking that I should write about the state of things between Lebanon and Israel, as it is the most profoundly dangerous ongoing event in the world at the moment. But I would have found it hard to express what I wanted to say without coming over as anti-Israel, and so running the risk of being called anti-semitic.
In fact I’m opposed to the actions of both sides, where the ‘sides’ are defined as the Israeli government and Hezbollah. And it is the innocent civilians of both nations who suffer.
Anyway, it turns out that Tim Bray has already written a better post about this than I could have, expressing pretty much everything I wanted to say:
Once again: Military violence against civilians is wrong, and if you have an argument that convinces you it's right, your argument is broken.
And:
Those leaders, though... anyone who's read first-hand reportage about the Hez leadership knows they're bloodthirsty racist fundamentalist barbarians who would really like to kill all the Jews and revert the world to fourteenth-century ways. Scum.\ As for the Israeli political leadership, we have to act on the assumption that they actually kind of understand what's going on around them, and that they launched this in full knowledge that they intended to kill hundreds, displace hundreds of thousands, and break a country. And there's a sickening suspicion that they knew it wouldn't work, that this is all playing to the domestic political theater; which would be getting into Milošević territory. Scum.
I recommend reading the whole thing.
Book Notes 10: Skizz, by Alan Moore and Jim Baikie
The local library is proving a great source of graphic fiction at the moment. Another early-early Moore, one of which I had heard, but had definitely not read.
It is Moore’s interpretation of a theme that was then very common, the alien lost on Earth. It wears its debt to ET quite openly: one of the characters even referring to the film for inspiration in how to deal with the alien.
That said, it’s entirely possible that Moore developed it without prior knowledge of the film: it wasn’t a new idea when ET used it.
Skizz is a gentle, heartwarming tale of respect between intelligent beings, regardless of difference. A human girl meets the “other”, and finds he is not so “other” at all.
And it has a genuinely nasty and scary baddie, and reconciliation between generations. Highly recommended.
My "Big England" piece is up at Temperama
The lovely Dave Hill has posted my piece in his Big England series.
Such is Dave’s posting frequency that it has already rolled off his front page. But such is his site’s popularity that it went straight in at number 10 on a Google search for my name; and it has now risen to number 3, I see.
Ironically, since I close the piece by being cruel and dismissive about cricket, yesterday’s news made cricket interesting. Who ever thought that I would know the name of a cricket umpire?
Dave himself has some thoughts inspired by the matter in The Guardian‘s Comment is Free blog.
But pop over and read my ‘This Is England‘. Oh yes, and: you need to scroll down to my comment to get a correction to the intro.