Repairability Is Good

It’s good when you can repair things. We had a problem with the switch on the kettle the other day, and I was able to open it up, put various bits back in place, and get it working again. It tripped not one but three circuit breakers in the house and blew the fuse in its plug, all while it was failing, but that’s what safety devices are for, I guess.

And today I’ve just fixed the switch on our hoover. Actually it’s a Miele, and this video by an Australian repair person was really helpful. He’s dealing with a different model, but it’s the same problem – the switch wouldn’t stay on – and the same construction and even part number.

I was able to get the footswitch off following what he did, and order a replacement part online. It arrived today, and all went back together really smoothly, and now our hoover Miele vacuum cleaner1 is working again.

Oddly the part number on the replacement is different from that on the broken one, which matched the number the video guy quotes.

Anyway, while I’d have tried these repairs under normal circumstances, it’s especially useful at the moment, when it’s not like you can go shopping, or get someone to come in and fix things.2


  1. I’ve never taken to calling them “vacuum cleaners.” I grew up with Hoovers, so that always seems like the right word. ↩︎

  2. If there even are still people who do that. ↩︎


Of course (following on from my previous post), I neglected to mention that Little Britain was never very funny.

In my humble opinion, of course.

Matt Lucas was much better in Doctor Who, and David Walliams was beter in… well, Attachments, if anyone remembers that.


Tate and Tennant Killing It

I see that, unlike Little Britain, Catherine Tate is still very funny when she brings back old characters for charity. Especially with David Tennant’s help.

“Being Scottish is not an underlying condition!”


Misbehaviour, 2020 - ★★★½

Good wee film about the women who protested at the 1970 Miss World show. Based on what actually happened. 

Surprising to learn that the phrase “Women’s Liberation” only originated then.

See in Letterboxd


It strikes me that Richard of York’s battle wasn’t in vain, when I see all these rainbow paintings with the colours in the right order.

(Personally, though, I learned the order without learning about Richard.)


The Power and the Glory by Graham Greene (Books 2020, 5)

I’ve never read Greene before, except for I think one short story, and a chapter or two of his autobiography. This is fascinating. It’s the story of a Catholic priest in Mexico at a time when the church was banned. I had no idea that such a time existed: I think of Mexico as a very Catholic country, so such oppression is surprising.

The genius of it is that all the characters are so convincing. From the “whisky priest” himself – sinful, still believing, considering himself damned, yet trying to do what he can for people he feels are his parishioners; through to the hardline atheist lieutenant of police that is trying to find him. No-one is entirely good or bad, but there is sympathy for them all.

It’s justly considered a classic.


Women on the Verge of a Nervous Breakdown, 1988 - ★★★

Well this is a lot funnier than the title would suggest. I think I had always thought it would be kind of bleak, but it’s not at all. There’s betrayal, attempted suicide, attempted murder, and a lot of property damage; but it’s very lighthearted.

See in Letterboxd


Out to the supermarket today, because we were running low on a few things and our next delivery isn’t arriving till Monday. It’s the first time I’ve been out – except to the back garden – since the bike incident. Admittedly that was only four days ago, but like everything now, it feels a lot longer.

And I felt some trepidation about it. The world’s a dangerous place: the very air is dangerous, depending on who you get close to. And some you can’t avoid, because pavements have a finite width, and some people still walk blithely two-abreast, or on their own but down the middle… honestly, people, keep your distance.

In keeping with my recent exhortation, I wore a mask. Just a bandana, but as I said there, anything is better than nothing. And hey, it reminded me of The Clash in the “Bankrobber” video.

Sainsbury’s was fine. A spaced-out queue of about ten people outside, one-in-one-out, and maybe only five people in the shop at once (it’s one of the small Sainsbury branches, I should note). All very well handled

People with and without masks – some kind of face covering, at least – I’d estimate at around 30/70. Some with were also wearing gloves and looking very overheated.

But there’s a feeling of society – there already, and that I think might grow – when you’re masked: you see someone who isn’t, you shy away; while when you see another mask wearer you make eye contact. A small nod passes between you: we’re different. We’re connected. We’re doing something they’re not. Or maybe just, we have the same fears.

On the way back I passed a bus stop, where the only person waiting was an NHS worker on her way to a shift at Homerton Hospital (I assume, because that’s where the bus goes). A month ago I’d have wondered why people wear their staff passes outside of their work. Today it’s a badge of honour.


Sunset Boulevard, 1950 - ★★★½

Good to watch an old movie for a strange. Great example of starting with the end and telling the whole story in flashback. The voiceover gets a bit wearing, especially when it’s telling you things you can see perfectly well happening on screen.

It’s quite a strange film, and another example of Hollywood telling stories about itself.

See in Letterboxd


The only thing about having put my site into a repo in GitHub, which has to be deployed to my server, is that I need to be able to get to the server to deploy it (until I automate that, at least). Still, I’ve just posted this entirely from my iPad.