One More Week to Hang On

I seem to have largely stopped blogging. Certainly, as a general election approaches, I’ve written nothing publicly about politics.

Consider: in just over a week we could be rid of this appalling Tory government. The Labour one we get in its place (or, just possibly, a coalition) will probably not be much to write home about, but even if its policies are far from perfect, its plans to tax the rich and invest in the country’s infrastructure far weaker than I’d like: things can hardly be worse.

Indeed, they can only get better, right?

I saw Keir Starmer speak at the Fabian Society a few years back. 2020, surprisingly, but January, before the pandemic really got going. He came across there as a thoroughly good and decent, left-wing, progressive guy. I can’t remember anything he said specifically, but it was positive, you know?

Now, he’s generally seen as timid, scared of appearing to be too left-wing, that sort of thing, or worse. While at the same time seemingly fierce at purging the left of the party. And poor on women’s rights, to say nothing of his dealings with women MPs and candidates.

Still, after the shitshow of the last few years, I’ll accept competence, as long as it’s not right-wing competence.


📚 Books 2024, 10: Beyond the Light Horizon by Ken MacLeod

Ken finishes his wonderful Lightspeed Trilogy with a flourish. Not all the problems are solved or mysteries explained, but that’s life. All the main characters get good conclusions. And a yellow submarine in space is still an astonishingly cool idea.


I keep thinking I should write about the current state of what we are calling AI. Trouble is, I still can’t quite decide what I think about it. Or why it makes me feel the way it does. Or even what, exactly, that way is.


Currently reading: Beyond the Light Horizon by Ken MacLeod 📚

Not so much currently reading as nearly finished. The final volume in Ken’s excellent trilogy, and looking forward to seeing him at Worldcon in Glasgow in August.


📚 Books 2024, 9: Trust by Hernan Diaz

Forget I hadn’t posted about this. I finished it almost two weeks ago. The latest book-club book, and not the sort of thing I’d choose normally. It’s the story of a financier around the time of the Wall Street Crash in the 1920s, told from four different points of view. Which one do we trust? (See what he did with the title?)

It’s pretty good, but nowhere near as good as the praise heaped upon it by reviewers, as quoted all over the cover, would suggest.


Doctor Who discussions are going to get confusing. Seems Disney are calling the Christmas special episode 1, ‘Space Babies’ episode 2, and so on; while the BBC call ‘Space Babies’ episode 1.

1 & 2 have their moments, but it doesn’t really get going till 3, ‘Boom!’, when Moffat takes over.


The Man with Two Brains, 1983 - ★★★

I like Steve Martin movies a lot. Or I did like them back when I watched them years ago. It's been a while.

This doesn't stand up as well as I might have hoped, and there are some downright shocking moments, with one casual use of several racial slurs.

But it still has its moments, still has the pointy bird and the scum queen, so I'll give it that.


Roald Dahl's Matilda the Musical, 2022 - ★★★★

We've seen the stage version, seen the older film, read the book to the kids, and this is probably the maddest of the lot.

Tim Minchin's songs are excellent, of course, and the young lead, Alisha Weir, carries the whole thing so well. And Emma Thompson has come such a long way from Suzi Kettles. whom I still always think of her as.


Wonderful.


Spotlight, 2015 - ★★★★

We saw this maybe back when it came out, or not long after. It's really good, stands up incredibly well. The story of how an investigative team at the Boston Globe, the titular Spotlight, broke the story of the vast web of child abuse by Catholic priests, and the long-standing coverup by the church hierarchy.


📚 Books 2024, 8: Some Desperate Glory by Emily Tesh

Actually finished this a few weeks ago, and forgot to write about it. I don’t know why, because it’s absolutely fantastic. Space opera of the biggest scope, yet a tightly-focused character-driven story, and a bildungsroman.

The Earth has already been destroyed when we start reading. Our heroine, Valkyr, or Kyr for short, lives on humanity’s last outpost (or is it?), where they train for revenge.

But there’s so much more to it than that.