📗 Books 2025, 16: The Cracked Mirror, by Chris Brookmyre
The new Chris Brookmyre is a detective story in multiple genres, you could say.
📗 Books 2025, 15: To the Lighthouse, by Virginia Woolf
In which I talk whimsically about a modernist masterpiece.
📗 Books 2025, 14: The Final Empire, by Brandon Sanderson
This is the first book in the Mistborn series, and I saw in a bookshop the other day that it’s now published just as Mistborn. Which is more sensible. I can’t help but imagine some potential readers were put off or confused by that ‘final’ in The Final Empire.1
My son basically made me read this. He’s a Sanderson fan and I had read none. He (my son) also told me Sanderson wanted to write a fantasy where the good guys had lost. Like what would have Middle Earth been like if Frodo and Sam had failed on their trip to Mordor? Sauron would have got the one ring back and basically been all-powerful.2
So this is basically that, with quite a different setup. The empire is ‘Final’ because it has lasted a thousand years or more and is never expected to end. Most people live as peasants, near slaves, and few noble houses are allowed to exist because the empire needs trade and internal tensions and what have you. The emperor — The Lord Ruler, as he’s known — is basically all-powerful, invulnerable. He’s said to have survived various assassination attempts up to and including a beheading. Which seems… wildly improbable, but hey, this is fantasy.
But some people — the titular Mistborn, and others — have special abilities, and there are pockets of resistance.
Sanderson writes a good enough page-turner, but I don’t know if I’ll be going on with the series. First of all there are just too damn many. But more importantly, and surprisingly, this first book is actually quite a complete story, with an ending. Sure, it’s a reasonably open ending, with hints of the kind of troubles the characters are going to face, and so on. But if there were no more books, you wouldn’t feel unsatisfied to leave it there.
And I don’t care enough about any of the characters to want to invest my time in it. Which is probably its biggest weakness. I even left it at home when we went on holiday to Canada recently. I was about 100 pages from the end and didn’t want to have to pack such a huge book that I would probably have finished on the flight over. Which is not how I’d have treated The Lord of the Rings back in the day, just to give one example.
Wimbledon without line judges: do not appprove. Makes the court look weirdly empty; drains some of the drama; and puts people out of a job. Presumably not their actual occupation, their career, but still.
Bring back the line judges!
Clue, 1985 - ★★★½
This was daft, but quite fun. A film based on a board game. Specifically on Cluedo. Which in America, strangely, seems to be called 'Clue'. Why would you not use such a great, clever name as 'Cluedo'? Unless they don't have Ludo there? But that seems impossible.
Anyway, it's probably the second-best thing I've seen Tim Curry in. Hmm, he was in Times Square, wasn't he? I remember enjoying that, but not much about it. Right now I'd have to but this ahead of it. He plays the butler, and since one couple turn up in the same car, and it's a stormy, rainy night, I was getting serious Brad & Janet vibes. I was disappointed when they had an umbrella on getting out of the car, instead of a newspaper.
Anyway, the writers had to struggle a bit to fit the conventions of the game into an actual story, but they did OK. There are shenanigans, murders, betrayals, multiple endings. All in all, not bad.
I see, the stand with multiple microphones has both a harmonica attached, and different quality mikes, like a lo-fi one to get that loudhailer effect. Even though there’s an actual loadhailer on the keyboards to one side.
Wait, Neil just has an ordinary stand with a single mike now. Was I hallucinating the great cluster of them a few minutes ago?
Well they may not be Crazy Horse, but they’re still pretty damn hot. And Neil himself is in incredible voice.
Just switched to the Glastonbury live feed. Why have Neil Young’s non-Crazy Horse band got such weird mike stands? And why has Neil himself got like fifteen mikes? Very strange.
