Next-Door to a Sequel

Last night I finished Living Next-Door to the God of Love, by Justina Robson. I enjoyed much of it, but found it kind of frustrating and annoying, in ways that were hard to define. The main one, though, was that some things were insufficiently explained.

Now, as SF readers we are used to jumping into new worlds, not quite knowing what’s going on, and picking it up as we go along. Indeed, that’s part of the toolkit for reading it.

But here, there was something just not quite right, I felt. It was as if there was too much understanding assumed. Had the writer spent too long with her world, I wondered? So long that she could no longer tell what the reader would and wouldn’t know, since she knew it so intimately?

When I finished it I went looking for reviews, to see whether others had the same feeling as me. And what I found proved that, in a sense, I was right about her assuming too much knowledge.

It turns out the book is a sequel.

Oh yes. It’s the sequel to her previous book, Natural History.

Which is fine. But nowhere on the book itself does it tell you that. Nowhere. I’ve checked again and again: it’s not in the blurb, it’s not on the title page, it’s not in the front matter.

Now, I don’t know about you, but I would have liked to have known this little detail before I started reading. Sure, you can pick things up as you go along; and now that I know it, I realise that she gave us the necessary backstory very well. But really, Pan MacMillan: next time, let us know, OK?

Link: An Awesome Interpretation of Avatar

Brilliant analysis of what could have been "really" happening in Avatar. Don't read if you haven't seen the film.: An Awesome Interpretation of Avatar

Decade’s End

This is how we end the first decade of the twenty-first century, then: with Jools on the telly, and a netbook on my lap. A fitting conclusion, I suppose, as the start of it was similarly low-key (I had a small kid at the time, and have two much bigger ones now); and I’ve spent much of the decade with a computer close at hand.

By some bizarre twist of fate, though, I seem to be out of whisky. I sit in shame at such a state of affairs. One or other form of whiskey will just have to do, though.

Happy New Year, everyone.

Link: A Self-Referential Story

"Sentient sentences": an astonishing piece of work.: A Self-Referential Story

A quote from Amanda Palmer: asking for money for your art is not selling out

ASKING FOR MONEY FOR YOUR ART IS NOT SELLING OUT.

selling out is when you go against your own heart, ideals and authenticity to make money.

selling out is an action, a 180 from a stated position.

i don’t consider pop stars to be sell-outs.
the lady gagas, britneys and madonnas of the world are UNABASHED about why they got in this game: fame, money, über-success, chart-topping hits.

but if neil young were to suddenly hire the matrix to write him a thumpin’ dance album and then appear on saturday night live snogging bob dylan, i’d have reservations about his integrity.

From Virtual Crowdsurfing

Link: Do I know where hell is? Hell is in "Hello"

God save us from crazy religious nutters.

The title is taken from 'Wandrin' Star', by the way.: Do I know where hell is? Hell is in "Hello"

Link: A report on FT.com: The man who invented exercise

Amazing story. Hard to believe that the benefits of aerobic exercise were unknown as recently as the 1940s.: A report on FT.com: The man who invented exercise

Transitions in Real Life?

The new Iain Banks book, Transition, is a science fiction novel. This is despite the fact that it is not published as by Iain M Banks.

And I don’t mean the slightly-ambiguous, could-be-a-dream-or-somebody’s-madness-if-you-don’t-want-to-suspend-your-disbelief sort of thing you get in The Bridge Or Walking On Glass, either. This is out-and-out SF, no queries or discussion. It is a tale of parallel universes, of an infinity of alternative Earths, and of people who can move between them, using a combination of drugs and native ability.

And it’s that ability that holds both one of the novel’s unanswered moral questions, and its biggest flaw.

When adepts transition between the worlds, they do so in mind only. That is, their mind occupies – possesses – the body of someone who already exists on the target parallel.

Ethically, this is a minefield, of course. But that question is only vaguely touched on.

Other ethical issues are addressed, notably the use of torture by states. There is passing character – just a walk-on, really – of a policeman who once tortured a terrorist suspect and had some success. He was tortured in turn by his guilt for the rest of his life.

The big flaw, though, concerns the transition mechanism and it use, and to talk about it, I’ll have to include some minor spoilers. So, you know: you have been warned.

As I said, flitting between the parallel universes involves the mind, the personality of the transitionary jumping into the body of someone already existing on the target parallel. This applies even when someone takes a ‘passenger’ along, which some can do. Each of them takes over a body in the new world.

But sometimes Banks has characters jumping to places where there really couldn’t be a body for them to take over (versions of the Earth that are uninhabited, for example). Yet they seem to jump successfully.

I don’t mind there being a ‘bodiless’ and a ‘bodiful’ version of the ability, for example: but it does need to be explained, or at least mentioned. I can hardly believe that nobody picked this up in the revision and editing process.

That aside, though, it’s damn fine, and probably his best ‘non-M’ for quite a few years.

With the secret cabal that is trying to run the world(s) behind the scenes, it is sort of The Business 2.0. Or maybe 10.0.

Live Jello show

Yeah, I know, that sounds like something kinky. But I just got this from the Academy mailing list (that’s “O2 Academy Brixton and O2 Academy Islington”; the former used to be called the Brixton Academy):

O2 Academy Islington:
Tue 8 Sep: Jello Biafra and the Guantanamo School of Medicine.
A longtime leader in the punk and alternative rock scenes, Jello Biafra is back in the recording studio and in the live arena.

Which is surprising and interesting and stuff. I never saw the Dead Kennedys when they were around; as far as I know they never came to Britain. Certainly not to Scotland.

Apparently Jello (or Eric, I now know) is 50. I feel old.

Michael Marshall Smith speaks wisely on opinions on the internet

If you can’t take the time and trouble to learn how to write a coherent sentence, then why on earth do you believe people should listen to what you have to say?

Oh, yes.