The final volume of Moore’s League stories, and, he says, his final work in the comics medium. If so, it’s not a bad closer.
It occurs to me that a significant portion of his comics output has been built on the work of others. Nothing wrong with that. Indeed, it could be said to be true of all literature, maybe all art. Moore’s use is more frequent than most, though: The Watchmen characters based on those from old Charlton Comics; Marvelman/Miracleman a revival of Mick Anglo’s creation; Promothea digging into mythology and fiction, as I wrote very positively about last year; and so on.
In the League it’s at its most explicit. The main characters are Mina Murray from Dracula, Virginia Woolfe’s Orlando, and Alan Quatermain from H Rider Haggard’s novels (although he isn’t in this volume). Even the subtitle of this one is from Shakespeare.
There is, as I say, nothing wrong with any of that. It’s like sampling in music: it doesn’t matter that you’re using part of an earlier creation; what matters is what you do with it.
And what Moore and O’Neil do with everything here is pretty spectacular. I won’t go into any detail, but suffice it to say that pretty much all the threads from the earlier volumes are tied up, and everything is over at the end. Everything. Well, not everything everything. Not quite.
I wouldn’t start here, though: go back to the beginning if you want to read any of these. Read them all.
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